The Revelation Explained: An Exposition, Text by Text, of the Apocalypse of St. JohnSmith, F. G. (Frederick George)
Religion
The Revelation Explained: An Exposition, Text by Text, of the Apocalypse of St. John
Smith, F. G. (Frederick George)
Bible. Revelation -- Criticism, interpretation, etc.
In the ordinary communication of our thoughts we employ arbitrary signs
and sounds to which we have universally agreed to fix a definite
meaning. Thus, our entire spoken language is made up of a great variety
of sounds or words with which by long practise we have become familiar.
We call a certain object a horse, not because there is any similarity
between the sound and the animal designated, but because we have agreed
that that sound shall represent that object. So, also, we have agreed
that the characters h-o-r-s-e shall represent the same thing; and by the
use of twenty-six characters, called the alphabet, placed together in
various combinations, we are able to write our entire spoken language.
The incidents connected with the introduction of written language among
a barbarous people are worthy of remark in this connection. That thought
can be conveyed to persons at a distance by the use of certain
cabalistic characters seems to them incredible, and when compelled to
believe it, they look upon the person that can accomplish such wonders
as embodying something supernatural. These things I mention merely to
call attention to the fact that spoken and written language is a curious
and wonderfully complicated affair. This is brought forcibly to our
minds when we hear persons conversing in a foreign tongue, or when we
pick up a book the characters of which are wholly unlike those of our
own language. To us an English book is full of instinctive beauty, every
letter or mark possessing a definite meaning that is instantly conveyed
to our minds, because we have become familiar with them by diligent
study and practise.
There are other ways of transferring thought besides the complicated
system just mentioned--ways which are much more natural and simple.
Thus, a simpler way to represent a certain object would be to draw a
picture of it; or, better still, to represent a certain character or
quality by exhibiting, not the object itself, but an analagous one whose
peculiar character that property is; for examples: the quiet, peaceful,
gentle disposition of a child, by a lamb; a man of cunning, artful,
deceptive disposition, by a fox; or a cruel, bloodthirsty, vindictive
tyrant, by a tiger, etc. This is hieroglyphical or symbolic language.
This language takes precedence over every other for naturalness and
simplicity, being common to a greater or less extent among all nations
and intelligible to all.
Public-domain text, read in full here on John Shaqi.
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