The Revelation Explained: An Exposition, Text by Text, of the Apocalypse of St. JohnSmith, F. G. (Frederick George)
Religion
The Revelation Explained: An Exposition, Text by Text, of the Apocalypse of St. John
Smith, F. G. (Frederick George)
Bible. Revelation -- Criticism, interpretation, etc.
Spoken language was undoubtedly a gift from God originally, while
written language is probably a mere human invention. We are not to
suppose that the first attempts to convey thought in writing would be by
an alphabetical system, but by the symbolic, it being, as before stated,
the most natural and within reach of the ordinary ingenuity of man. This
is proved by the fact that the inscriptions on the ancient monuments of
Egypt and the inscriptions of other nations of antiquity are of this
character. It is also a fact worthy of notice that, four thousand years
later, men of other countries and of other languages have, by much study
and a careful comparison of the symbols, been able to decipher with
accuracy those hierographical representations.[1] This of itself is
sufficient to establish the point that definiteness can be attached to
the use and the interpretation of carefully-selected symbols, when the
principles that governed their original selection are discovered.
[Footnote 1: The systems of hieroglyphical writing employed by various
nations have, for the most part, remained unintelligible until a key of
their interpretation was discovered. In 1799 M. Bouchard, a French
captain of engineers, while digging intrenchments on the site of an old
temple near the Rosetta mouth of the Nile, unearthed a black stone
containing a trilingual inscription in hieroglyphics, demotic
characters, and Greek. The last paragraph of the Greek inscription
stated that two translations, one in the sacred and the other in the
popular Egyptian language, would be found adjacent; hence this
celebrated stone has afforded European scholars a key to the language
and writing of the ancient Egyptians. The cuneiform writing of the
Babylonians and Persians remained a mystery also until modern times, but
great progress has now been made in the deciphering of thousands of
inscribed clay tablets, cylinders, prisms, etc. The key to its
interpretation is the celebrated inscription at Behistun, cut upon the
face of a high rock three hundred feet above its base, and recording a
portion of the history of Darius. It is written in the cuneiform
characters, in three languages--Median, Persian, and Assyrian.]
I do not wish to be understood as implying that the symbolical language
of Scripture is identical with the hieroglyphics of ancient monuments.
There may be different kinds of symbolic representations; but they are
not arbitrary, as is spoken language, and can not be arbitrarily
applied; a fixed law governs them all.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account