The Revision Revised: Three Articles Reprinted from the "Quarterly Review." I. The New Greek Text. II. The New English Version. III. Westcott and Hort's New Textual Theory. To Which is Added a Reply to Bishop Ellicott's Pamphlet in Defence of the Revisers and Their Greek Text of the New Testament: Including a Vindication of the Traditional Reading of 1 Timothy III. 16.Burgon, John William
Religion
The Revision Revised: Three Articles Reprinted from the "Quarterly Review." I. The New Greek Text. II. The New English Version. III. Westcott and Hort's New Textual Theory. To Which is Added a Reply to Bishop Ellicott's Pamphlet in Defence of the Revisers and Their Greek Text of the New Testament: Including a Vindication of the Traditional Reading of 1 Timothy III. 16.
Burgon, John William
Bible. New Testament -- English -- Criticism, Textual; Bible. New Testament -- English -- Versions -- Revised -- Controversial literature; Bible. New Testament -- English -- Versions -- Revised -- Criticism, interpretation, etc.; Ellicott, C. J. (Charles John), 1819-1905
§ 17. In Textual Criticism then, “rough comparison” can seldom, if ever,
be of any real use. On the other hand, the exact _Collation_ of documents
whether ancient or modern with the received Text, is the necessary
foundation of all scientific Criticism. I employ that Text,—(as Mill,
Bentley, Wetstein; Griesbach, Matthæi, Scholz; Tischendorf, Tregelles,
Scrivener, employed it before me,)—not as a criterion of _Excellence_, but
as a standard of _Comparison_. All this will be found fully explained
below, from page 383 to page 391. Whenever I would judge of _the
authenticity_ of any particular reading, I insist on bringing it, wherever
found,—whether in Justin Martyr and Irenæus, on the one hand; or in
Stephens and Elzevir, on the other;—to the test of _Catholic Antiquity_.
If that witness is consentient, or very nearly so, whether for or against
any given reading, I hold it to be decisive. To no other system of
arbitration will I submit myself. I decline to recognise any other
criterion of Truth.
§ 18. What compels me to repeat this so often, is the impatient
self-sufficiency of these last days, which is for breaking away from the
old restraints; and for erecting the individual conscience into an
authority from which there shall be no appeal. I know but too well how
laborious is the scientific method which _I_ advocate. A long summer day
disappears, while the student—with all his appliances about him—is
resolutely threshing out some minute textual problem. Another, and yet
another bright day vanishes. Comes Saturday evening at last, and a page of
illegible manuscript is all that he has to show for a week’s heavy toil.
_Quousque tandem?_ And yet, it is the indispensable condition of progress
in an unexplored region, that a few should thus labour, until a path has
been cut through the forest,—a road laid down,—huts built,—a _modus
vivendi_ established. In this department of sacred Science, men have been
going on too long inventing their facts, and delivering themselves of
oracular decrees, on the sole responsibility of their own inner
consciousness. There is great convenience in such a method certainly,—a
charming simplicity which is in a high degree attractive to flesh and
blood. It dispenses with proof. It furnishes no evidence. It asserts when
it ought to argue.(23) It reiterates when it is called upon to
explain.(24) “I am sir Oracle.” ... This,—which I venture to style the
_unscientific_ method,—reached its culminating point when Professors
Westcott and Hort recently put forth their Recension of the Greek Text.
Their work is indeed quite a psychological curiosity. Incomprehensible to
me is it how two able men of disciplined understandings can have seriously
put forth the volume which they call “INTRODUCTION—APPENDIX.” It is the
very _Reductio ad absurdum_ of the uncritical method of the last fifty
years. And it is especially in opposition to this new method of theirs
that I so strenuously insist that _the consentient voice of Catholic
Public-domain text, read in full here on John Shaqi.
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