Utopias -- Fiction; Women -- Legal status, laws, etc. -- Fiction
'He, not she, my lord, replied that science could go no further; and so
he goes on building the same shaped hill.'
The crowd gathered at the foot of the stairs of the Academy and made a
lane for Lord Chester quite to his carriage. It was a crowd of the best
people in England, composed of ladies and gentlemen. Yet was it no
insignificant sign of the times that many a handkerchief was waved to
him, that all hats were lifted, and that one girl's voice was heard
crying, 'Young men for young wives!' at which there was a general murmur
of assent.
In the evening there were the usual engagements of the season, beginning
with a lecture on the Arrival at the Highest Level. The lecturer--a
young Oxford woman--was learned and eloquent, though the subject was, so
to speak, wellnigh threadbare. Yet the discontent of the nation was so
great, that it was necessary continually to raise the courage of the
people by showing that if the Ministries failed, it was only because the
right Cabinet had not yet been found. On this night, however, no one
listened. All eyes were turned to the young lord, who, it was everywhere
stated, had announced his rebellious intention not to obey the law if
Lady Carlyon's appeal went against her. The men whispered; the elderly
ladies assumed airs of virtuous indignation; the younger ones looked at
each other and laughed.
Then there was a dance, at which Lord Chester was seen, but only for a
quarter of an hour, because the rush made by all the girls who could get
an introduction for his name on their cards was almost unseemly. The
Professor therefore took him home.
In the Park the next afternoon, at the theatre in the evening, the same
curiosity of the multitude. Indeed the play, as happened very often in
those days, was entirely neglected. Glasses were levelled at Lord
Chester's box; the whole audience with one consent fell to talking among
themselves; the actors went on with the piece unregarded, and the
curtain fell unnoticed.
Public-domain text, read in full here on John Shaqi.
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