Utopias -- Fiction; Women -- Legal status, laws, etc. -- Fiction
Perhaps the perfection of the drama was the thing on which the new
civilisation chiefly prided itself, unless, indeed, it was the
perfection of painting and sculpture already described. The old
tragedies, in which women played the secondary part, were long since
consigned to oblivion. The old style of farce, which was simply brutal,
raising laughter by the representation of situations in which one or
more persons are made ridiculous, was absolutely prohibited; the once
favourite ballet was suppressed, because it was below the dignity of
woman to dance for the amusement of the people, and because neither men
nor women wished to see men dancing; the comic man naturally disappeared
with the farce, because no one ever wrote anything for him. It was
resolved, after a series of letters and discussion in the _Academy_, the
only literary paper left--it owed its continued existence to the
honourable associations of its early years--that laughter was for the
most part vulgar; that it always rudely disturbed the facial lines; that
to make merriment for others was quite beneath the notice of an educated
woman; and that the drama must be severe, and even austere--a school for
women and for men. Such it was sought to make it, with as yet
unsatisfactory results, because the common people, finding nothing to
laugh at, came no more to the theatre; and even the better class, who
wanted to be amused, and were only instructed, ceased to attend.
When, therefore, the curtain fell, the scanty audience rushed to the
doors of the house, and there was something very much like a
demonstration, a report of which, the Professor felt with pleasurable
emotion, could not fail to be carried to the Duchess.
The next day there came a letter to Lady Boltons--who was still confined
to her room with gout--from no less a person than the Duchess of
Dunstanburgh, suggesting that the publicity thrust upon Lord Chester
through the unconstitutional action of his cousin might produce an
injurious effect upon a mind so young. In other words, her Grace was
already sensible of the sympathy which was growing up for what was
believed to be a love affair, cruelly blighted by herself. If Lord
Chester was kept in retirement until the case was decided, he would,
perhaps be forgotten. As for Lady Carlyon, the Duchess rightly judged
that the sympathy which one woman gets from another in such cases is
generally scant.
Public-domain text, read in full here on John Shaqi.
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