Angels -- Fiction; French fiction -- Translations into English; French wit and humor -- Translations into English
Monsieur Sariette reiterated his enquiries a score of times, discovered
nothing, and suffered such anxiety that sleep entirely forsook him.
When, on the following day at seven o'clock he entered the room with
the busts and globes, and saw that all was in order, he heaved a sigh of
relief. Then suddenly his heart beat fit to burst. He had just seen
lying flat on the mantelpiece a paper-bound volume, a modern work, the
boxwood paper-knife which had served to cut its pages still thrust
between the leaves. It was a dissertation on the two parallel versions
of Genesis, a work which Monsieur Sariette had relegated to the attic,
and which had never left it up to now, no one in Monsieur d'Esparvieu's
circle having had the curiosity to differentiate between the parts for
which the polytheistic and monotheistic contributors were respectively
responsible in the formation of the first of the sacred books. This book
bore the label R > 3214-VIII/2. And this painful truth was suddenly
borne in upon the mind of Monsieur Sariette: to wit, that the most
scientific system of numbering will not help to find a book if the book
is no longer in its place. Every day of the ensuing month found the
table littered with books. Greek and Latin lay cheek by jowl with
Hebrew. Monsieur Sariette asked himself whether these nocturnal
flittings were the work of evil-doers who entered by the skylights to
steal valuable and precious volumes. But he found no traces of burglary,
and, notwithstanding the most minute search, failed to discover that
anything had disappeared. Terrible anxiety took possession of his mind,
and he fell to wondering whether it was possible that some monkey in the
neighbourhood came down the chimney and acted the part of a person
engaged in study. Deriving his knowledge of the habits of these animals
in the main from the paintings of Watteau and Chardin, he took it that,
in the art of imitating gestures or assuming characters they resembled
Harlequin, Scaramouch, Zerlin, and the Doctors of the Italian comedy; he
imagined them handling a palette and brushes, pounding drugs in a
mortar, or turning over the leaves of an old treatise on alchemy beside
an athanor. And so it was that, when, on one unhappy morning, he saw a
huge blot of ink on one of the leaves of the third volume of the
polyglot Bible bound in blue morocco and adorned with the arms of the
Comte de Mirabeau, he had no doubt that a monkey was the author of the
evil deed. The monkey had been pretending to take notes and had upset
the inkpot. It must be a monkey belonging to a learned professor.
Public-domain text, read in full here on John Shaqi.
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