The River's Children: An Idyl of the MississippiStuart, Ruth McEnery
General
The River's Children: An Idyl of the Mississippi
Stuart, Ruth McEnery
African Americans -- Fiction; Conduct of life -- Fiction; Mississippi River -- Fiction; Poverty -- Fiction
It was indeed a smiling welcome, and exclamations of delight announced
the passage of the boats in turn as they rounded the willow bend.
The firing of a single cannon, with a simultaneous display of
fireworks, and music by the plantation band, celebrated the landing of
the last boat.
Servants in the simple old-fashioned dress--checked homespun with white
accessories, to which were added for the occasion, great rosettes of
crimson worn upon the breast--took care of the party at the landing,
bringing up the rear with hand-luggage, which they playfully balanced
upon their heads or shifted with fancy steps.
The old-time supper--of the sort which made the mahogany groan--was
served on the broad back "gallery," while the plantation folk danced in
the clearing beyond, a voice from the basement floor calling out the
figures.
This was a great sight.
Left here to their own devices as to dress, the negroes made so dazzling
a display that, no matter how madly they danced, they could scarcely
answer the challenge of their own riotous color schemes.
Single dancers followed; then "lad_y_es and gentiles" in pairs, taking
fantastic steps which would shame a modern dancing-master without once
awakening a blush in a maiden's cheek.
The dancing was refined, even dainty, to-night, the favorite achievement
of the women being the mincing step taken so rapidly as to simulate
suspension of effort, which set the dancers spinning like so many tops,
although there was much languid posing, with exchange of salutations and
curtsying galore.
Yet not a twirl of fan or dainty lift of flounce--to grace a figure or
display a dexterous foot--but expressed a primitive idea of high
etiquette.
The "fragments" left over from the banquet of the upper porch--many of
them great unbroken dishes, meats, game, and sweets--provided a great
banquet for the dancers below, and the gay late feasters furnished
entertainment, fresh and straight from life, to the company above, for
whose benefit many of their most daring sallies were evidently thrown
out--and who, after their recent experiences, were pleased to be so
restfully entertained.
Toasts, drunk in ginger-pop and persimmon beer innocent of guile, were
offered after grace at the beginning of the supper, the toaster stepping
out into the yard and bowing to the gallery while he raised his glass
or, literally, his tin cup--the passage of the master's bottle among the
men, later in the evening, being a distinct feature.
The first toast was offered to the ladies--"Mistus an' Company-ladies";
and the next, following a suggestion of the first table, where the host
had been much honored, was worded about in this wise:
"We drinks to de health, an' wealth, _an'_ de long life of de _leadin'
gentleman_ o' _Brake Island_, who done put 'isself to so much pains an'
money to give dis party. But to make de toast accordin' to manners, so
hit'll fit de gentleman's visitors long wid hisself, I say let's drink
to who but 'OLE MARSE ADAM!'"
Public-domain text, read in full here on John Shaqi.
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