The River's Children: An Idyl of the Mississippi — John Shaqi
The River's Children: An Idyl of the MississippiStuart, Ruth McEnery
General
The River's Children: An Idyl of the Mississippi
Stuart, Ruth McEnery
African Americans -- Fiction; Conduct of life -- Fiction; Mississippi River -- Fiction; Poverty -- Fiction
It was on returning hurriedly from a trip to one of these places on the
upper river--the property of one Marie Estelle Josephine Ramsey de La
Rose, widowed at "Yellow Tavern"--that he sought the ferry skiff on the
night old man Israel answered the call.
VIII
Little the old man dreamed, while he waited, midstream, trying to think
out his problem, that the solution was so near at hand.
We have seen how the old wife waited and prayed on the shore; how with
her shaded mind she groped, as many a wiser has done, for a comforting,
common-sense understanding of faith, that intangible "substance of
things hoped for," that elusive "evidence of things not seen."
In a moment after she heard the creaking of the timbers as the skiff
chafed the landing, even while she rose, as was her habit, to see who
might be coming over so late, she dimly perceived two men approaching,
Israel and another; and presently she saw that Israel held the man's
hand and that he walked unsteadily.
She started, fearing that her man was hurt; but before she could find
voice of fear or question, Israel had drawn the stranger to her and was
saying in a broken voice:
"Hannah! Hannah! Heah Mars' Harol'!"
Only a moment before, with her dim eyes fixed upon the sky, she had
experienced a realization of faith, and believed herself confidently
awaiting her master's coming. And yet, seeing him now in the flesh
before her, she exclaimed:
"What foolishness is dis, ole man? Don't practice no jokes on me
to-night, Isrul!"
Her voice was almost gruff, and she drew back as she spoke. But even
while she protested, Harold had laid his hand upon her arm.
"Mammy," he whispered huskily, "don't you know your 'indurin' devil'--?"
(This had been her last, worst name for her favorite during his mischief
period.)
Harold never finished his sentence. The first sound of his voice had
identified him, but the shock had confused her. When at last she sobbed
"Hush! I say, hush!" her arms were about his knees and she was crying
aloud.
[Illustration: "Her arms were about his knees"]
"Glo-o-o--oh--glo-o-o--glo-o-ry! Oh, my Gord!" But presently, wiping her
eyes, she stammered: "What kep' you so, Baby? Hol' me up, chile--hol'
me!"
She was falling, but Harold steadied her with strong arms, pressing her
into her chair, but retaining her trembling hand while he sat upon the
low table beside her.
He could not speak at once, but, seeing her head drop upon her bosom, he
called quickly to Israel. For answer, a clarion note, in no wise muffled
by the handkerchief from which it issued, came from the woodpile. Israel
was shy of his emotions and had hidden himself.
By the time he appeared, sniffling, Hannah had rallied, and was pressing
Harold from her to better study his face at long range.
Public-domain text, read in full here on John Shaqi.
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