The River's Children: An Idyl of the MississippiStuart, Ruth McEnery
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The River's Children: An Idyl of the Mississippi
Stuart, Ruth McEnery
African Americans -- Fiction; Conduct of life -- Fiction; Mississippi River -- Fiction; Poverty -- Fiction
"One dark night she heared me cryin' low on de bank, whilst de ole man
stepped into de boat to row 'crost de water, an' she felt Wood-duck
settle heavy on her breast, an' she seen dat we carried de same
troublous thought--searchin' an' waitin' for the fulfilment o' promise.
"An' so we started to call--an' to answer, heart to heart."
* * * * *
The story is nearly told. No doubt many would be willing to have it stop
here. But a tale of the river is a tale of greed, and must have
satisfaction.
While father and child sat together, Israel came, bringing fresh chips.
He had been among the woodpiles again. This time there followed him the
dog.
"Why, Blucher!" Harold exclaimed. "Blucher, old fellow!" And at his
voice the dog, whining and sniffing, climbed against his shoulder, even
licking his face and his hand. Then, running off, he barked at Israel
and Hannah, telling them in fine dog Latin who the man was who had come.
Then he crouched at his feet, and, after watching his face a moment,
laid his head upon his master's right foot, a trick Harold had taught
him as a pup.
IX
Of course Harold wished to take the entire family home with him at once,
and would hear to nothing else until Hannah, serving black coffee to him
from her furnace, in the dawn, begged that she and Israel might have "a
few days to rest an' to study" before moving.
It was on the second evening following this, at nightfall, while her man
was away in his boat, that the old woman rose from her chair and, first
studying the heavens and then casting about her to see that no one was
near, she went down to the water, slowly picking her way to a shallow
pool between the rafts and the shore. She sat here at first, upon the
edge of the bank, frankly dropping her feet into the water while she
seemed to begin to talk--or possibly she sang, for the low sound which
only occasionally rose above the small noises of the rafts was faintly
suggestive of a priest's intoning.
For a moment only, she sat thus. Then she began to lower herself into
the water, until, leaning, she could lay her face against the sod, so
that a wave passed over it, and when, letting her weight go, she
subsided, with arms extended, into the shallow pool, a close listener
might have heard an undulating song, so like the river's in tone as to
be separable from it only through the faint suggestion of words,
interrupted or drowned at intervals by the creaking and knocking of the
rafts and the gurgling of the sucking eddies about them.
The woman's voice--song, speech, or what not?--_seemed_ intermittent, as
if in converse with another presence.
Suddenly, while she stood thus, she dropped bodily, going fully under
the water for a brief moment, as if renewing her baptism, and when she
presently lifted herself, she was crying aloud, sobbing as a child sobs
in the awful momentary despair of grief at the untwining of
arms--shaken, unrestrained.
Public-domain text, read in full here on John Shaqi.
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