The River's Children: An Idyl of the MississippiStuart, Ruth McEnery
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The River's Children: An Idyl of the Mississippi
Stuart, Ruth McEnery
African Americans -- Fiction; Conduct of life -- Fiction; Mississippi River -- Fiction; Poverty -- Fiction
While she stood thus for a few minutes only,--a pathetic waste of
sorrow, wet, dark and forlorn, alone on the night-shore,--a sudden wind,
a common evening current, threw a foaming wave over the logs beside her
so that its spray covered her over; while the straining ropes, breaking
and bumping timbers, with the slow dripping of the spent wave through
the raft, seemed to answer and possibly to assuage her agitation; for,
as the wind passed and the waters subsided, she suddenly grew still,
and, climbing the bank as she had come, walked evenly as one at peace,
into her cabin.
No one will ever know what, precisely, was the nature of this last
communion. Was it simply an intimate leave-taking of a faithful
companionship grown dear through years of stress? Or had it deeper
meaning in a realization--or hallucination--as to the personality of the
river--the "secret" to which she only once mysteriously referred in a
gush of confidence on her master's return?
Perhaps she did not know herself, or only vaguely felt what she could
not tell. Certainly not even to her old husband, one with her in life
and spirit, did she try to convey this mystic revelation. We know by
intuition the planes upon which our minds may meet with those of our
nearest and dearest. To the good man and soldier, Israel,--the prophet,
even, who held up the wavering hands of the imaginative woman when her
courage waned, pointing to the hour of fulfilment,--the great river,
full of potencies for good or ill, could be only a river. As a mirror it
had shown him divinity, and in its character it might _typify_ to his
image-loving mind another thing which service would make it precious.
But what he would have called his sanity--had he known the word--would
have obliged him to stop there.
The stars do not tell, and the poor moon--at best only hinting what the
sun says--is fully half-time off her mind. And the SOUL OF THE
RIVER--if, indeed, it has once broken silence--may not speak again.
And, so, her secret is safe--safe even if the broken winds did catch a
breath, here and there, sending it flurriedly through and over the logs
until they trembled with a sort of mad harp-consciousness, and were set
a-quivering for just one full strain--one coherent expression of
soul-essence--when the wave broke. Perhaps the arms of the twin spirits
were untwined--and they went their separate ways smiling--the woman and
the river.
When, after a short time, the old wife came out, dressed in fresh
clothing, her white, starched tignon shining in the moonlight, to sit
and talk with her husband, her composure was as perfect as that of the
face of the water which in its serenity suggested the voice of the
Master, when Peter would have sunk but for his word.
Public-domain text, read in full here on John Shaqi.
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