The River's Children: An Idyl of the Mississippi — John Shaqi
The River's Children: An Idyl of the MississippiStuart, Ruth McEnery
General
The River's Children: An Idyl of the Mississippi
Stuart, Ruth McEnery
African Americans -- Fiction; Conduct of life -- Fiction; Mississippi River -- Fiction; Poverty -- Fiction
"Dat music you heah', dat ain't no dance-music. She plays dat for de
passengers to eat by, so dey tell me. But I reckon dey jes p'onounces
supper dat-a-way, same as you'd ring a bell. An' when de people sets
down to de table, dey mus' sho'ly have de manners to stop long enough to
let 'em eat in peace. Yit an' still, whilst she looks like Heaven, I'd a
heap ruther set heah an' see her go by 'n to put foot in her, 'ca'se I'd
look for her to 'splode out de minute I landed in her an' to scatter my
body in one direction an' my soul somewhars else. No; even ef she was
Heaven, I'd ruther 'speriment heah a little longer, settin' on de sof'
grass an' smellin' de yearnin' trees an' listenin' at de bumblebees
a-bumblin', an' go home an' warm up my bacon an' greens for supper, an'
maybe go out foragin' for my Sunday chicken to-night in de dark o' de
moon. Hyah! My stomach hit rings de dinner-bell for me, jes as good as a
brass ban'."
"Me, too!" chuckled the smoker. "I'll take my chances on dry lan', every
time. I know I'll nuver lead a p'ocession but once-t, and dat'll be at
my own fun'al, an' I don't inten' to resk my chances. But she is sho'
one noble-lookin' boat."
By this time the great steamboat--the wonderful apparition so aptly
typifying Heaven and hell--had passed.
She carried only the usual number of passengers, but at this evening
hour they crowded the guards, making a brilliant showing. Family parties
they were mostly, with here and there groups of young folk, generally
collected about some popular girl who formed a center around which
coquetry played mirthfully in the breeze. A piquant Arcadian bride,
"pretty as red shoes," artlessly appearing in all her white wedding
toggery, her veil almost crushed by its weight of artificial
orange-flowers, looked stoically away from the little dark husband who
persisted in fanning her vigorously, while they sat in the sun-filled
corner which they had taken for its shade while the boat was turned into
the landing to take them aboard. And, of course, there was the usual
quota of staid couples who had survived this interesting stage of life's
game.
Nor was exhibition of rather intimate domesticity entirely missing.
Infancy dined in Nature's own way, behind the doubtful screening of
waving palmetto fans. While among the teething and whooping-cough
contingents the observer of life might have found both tragedy and
comedy for his delectation.
Mild, submissive mothers of families, women of the Creole middle class
mainly,--old and withered at thirty-five, all their youthful magnolia
tints gone wrong, as in the flower when its bloom is passed--exchanged
maternal experiences, and agreed without dissent that the world was full
of trouble, but "God was good."
Public-domain text, read in full here on John Shaqi.
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