They whizzed through the darkness down and up again in the groaning coach under the black tree-tops; and George managed to discover a grotesque motif in 3/4 time in the heavy rhythmic noise. While he was going down the moving staircase with the others, he knew that the melody should be introduced by an oboe and clarionet and accompanied by a cello and contra bass. It was clearly a _scherzo_ probably for a symphony. "If I were a capitalist," expounded Heinrich with emphasis, "I would have a switchback built four miles long to go over fields and hills, through forests and dancing-halls; I would also see that there were surprises on the way." Anyway, he thought that the time had come to develop more elaborately the fantastic element in the Wurstelprater. He himself, he informed them, had a rough idea for a merry-go-round that by means of some marvellous machinery was to revolve spiral-fashion above the ground, winding higher and higher till eventually it reached the top of a kind of tower. Unfortunately he lacked the necessary technical knowledge to explain it in greater detail. As they went on he invented burlesque figures and groups for the shooting galleries, and finally declared that there was a pressing need for a magnificent Punch and Judy show for which original authors should write pieces at once profound and frivolous. In this way they came to the end of the Prater where Oskar's carriage was waiting. Squashed, but none the less good-tempered, they drove to a wine-restaurant in the town. Oskar ordered champagne in a private room, George sat down by the piano and improvised the theme that had occurred to him on the switchback. Amy lounged back in the corner of the sofa, while Oskar kept whispering things into her ears which made her laugh. Heinrich had grown silent again and twirled his glass slowly between his fingers. Suddenly George stopped playing and let his hands lie on the keys. A feeling of the dreamlike and purposeless character of existence came over him, as it frequently did when he had drunk wine. Ages seemed to have passed since he had come down a badly-lighted staircase in the Paulanergasse, and his walk with Heinrich in the dark autumn avenue lay far away in the distant past. On the other hand he suddenly remembered, as vividly as though the whole thing had happened yesterday, a very young and very depraved individual, with whom he had spent many years ago a few weeks of that happy-go-lucky life which Oskar Ehrenberg was now leading with Amy. She had kept him waiting too long one evening in the street, he had gone away impatiently and had neither heard nor seen anything of her again. How easy life was sometimes....