Next to pass down the road is an anxious ruffled hen, her speckled breast astir with maternal troubles. She walks delicately, lifting her feet high and glancing furtively from side to side with comb low dressed. The sight of man, the heartless egg-collector, from whose haunts she has fled, wrings from her a startled cluck, and she makes for the white gate, climbs through, and disappears. I know her feelings too well to intrude. Many times already has she hidden herself, amassed four or five precious treasures, brooding over them with anxious hope; and then, after a brief desertion to seek the necessary food, she has returned to find her efforts at concealment vain, her treasures gone. At last, with the courage of despair she has resolved to brave the terrors of the unknown and seek a haunt beyond the tyranny of man. I will watch over her from afar, and when her mother-hope is fulfilled I will marshal her and her brood back to the farm where she belongs; for what end I care not to think, it is of the mystery which lies at the heart of things; and we are all God's beasts, says St Augustine. Here is my stone-song, a paraphrase of the Treasure Motif. [Illustration: Music] What a wonderful work Wagner has done for humanity in translating the toil of life into the readable script of music! For those who seek the tale of other worlds his magic is silent; but earth-travail under his wand becomes instinct with rhythmic song to an accompaniment of the elements, and the blare and crash of the bottomless pit itself. The Pilgrims' March is the sad sound of footsore men; the San Graal the tremulous yearning of servitude for richer, deeper bondage. The yellow, thirsty flames lick up the willing sacrifice, the water wails the secret of the river and the sea; the birds and beasts, the shepherd with his pipe, the underground life in rocks and caverns, all cry their message to this nineteenth-century toiling, labouring world--and to me as I mend my road. [Illustration: Æolus shepherding his white sheep]