The hours pass, the shadows lengthen, the sheep-bells clang; and I lie
in my niche under the stunted hawthorn watching the to and fro of the
sea, and Æolus shepherding his white sheep across the blue. I love the
sea with its impenetrable fathoms, its wash and undertow, and rasp of
shingle sucked anew. I love it for its secret dead in the Caverns of
Peace, of which account must be given when the books are opened and
earth and heaven have fled away. Yet in my love there is a paradox, for
as I watch the restless, ineffective waves I think of the measureless,
reflective depths of the still and silent Sea of Glass, of the dead,
small and great, rich or poor, with the works which follow them, and
of the Voice as the voice of many waters, when the multitude of one
mind rends heaven with alleluia: and I lie so still that I almost feel
the kiss of White Peace on my mouth. Later still, when the flare of
the sinking sun has died away and the stars rise out of a veil of
purple cloud, I take my way home, down the slopes, through the hamlet,
and across miles of sleeping fields over which night has thrown her
shifting web of mist--home to the little attic, the deep, cool well,
the kindly wrinkled face with its listening eyes--peace in my heart and
thankfulness for the rhythm of the road.
[Illustration: My niche under the stunted hawthorn]
Monday brings the joy of work, second only to the Sabbath of rest,
and I settle to my heap by the white gate. Soon I hear the distant
stamp of horsehoofs, heralding the grind and roll of the wheels which
reaches me later--a heavy flour-waggon with a team of four great gentle
horses, gay with brass trappings and scarlet earcaps. On the top of the
craftily piled sacks lies the white-clad waggoner, a pink in his mouth
which he mumbles meditatively, and the reins looped over the inactive
whip--why should he drive a willing team that knows the journey and
responds as strenuously to a cheery chirrup as to the well-directed
lash? We greet and pass the time of day, and as he mounts the rise he
calls back a warning of coming rain. I am already white with dust as he
with flour, sacramental dust, the outward and visible sign of the stir
and beat of the heart of labouring life.
Public-domain text, read in full here on John Shaqi.
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