the god of vegetation, as such, should be expelled the city. But it is
otherwise if he is also a scape-goat; it then becomes necessary to drive
him beyond the boundaries, that he may carry his sorrowful burden away
to other lands. And, in fact, Mamurius Veturius appears to have been
driven away to the lands of the Oscans, the enemies of Rome[123].’
My examination of the evidence will, I hope, have made it clear why I
hesitate to endorse these conclusions in their entirety (as I did for
many years), interesting as they are. I rather incline to believe that
the whole Mamurius-legend grew out of the Carmen Saliare, and that we
may either have here one of those comparatively rare examples of later
ritual growing itself out of myth, or a point of ancient ritual, such as
the use of skins—perhaps those of victims—misinterpreted and possibly
altered under the influence of the myth. As to Lydus’ statement, it is
better to suspend our judgement; he may, for all we know, have confused
some foreign custom, or that of some other Italian town where there were
Salii, with the ritual of a Roman priesthood[124]. In any case, his
account is too much open to question to bear the weight of conjecture
that has been piled upon it.
ID. MART. (MARCH 15). NP.
FERIAE[125] ANNAE PERENNAE VIA FLAM[INIA] AD LAPIDEM PRIM[UM]. (VAT.)
ANNAE PER. (FARN.)
This is a survival of an old popular festival, as is clearly seen from
Ovid’s account of it; but the absence of any mention of it in the rustic
calendars or in those of Philocalus and Silvius leads us to suppose that
it had died out in the early Empire. This may be accounted for by the
fact that the people came to be more and more attracted by spectacles
and games; and also by the ever-increasing cosmopolitanism of the city
populace, which would be continually losing interest in old Roman
customs which it could not understand.
On this day, Ovid tells us[126], the ‘plebs’ streamed out to the ‘festum
geniale’ of Anna Perenna, and taking up a position in the Campus
Martius, not far from the Tiber[127], and lying about on the grass in
pairs of men and women, passed the day in revelry and drinking[128].
Some lay in the open; some pitched tents and some constructed rude huts
of stakes and branches, stretching their togas over them for shelter. As
they drank they prayed for as many years of life as they can swallow
cups of wine; meanwhile singing snatches of song with much gesticulation
and dancing. The result of these performances was naturally that they
returned to the city in a state of intoxication. Ovid tells us that he
had seen this spectacle himself[129].
Public-domain text, read in full here on John Shaqi.
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