Of this Nerio much, perhaps too much, has been made in recent years by ingenious scholars. A complete love-story has been discovered, in which Mars, at first defeated in his wooing, as Porphyrion tells us in the passage just quoted, eventually becomes victorious; for Nerio is called wife of Mars in a fragment of an old comedy by Licinius Imbrex, in a passage of Plautus, and in a prayer put into the mouth of Hersilia by Gellius the annalist, when she asked for peace at the hand of T. Tatius[171]. And this story has been fitted on, without sufficient warrant, to the Mars-festivals of this month. Mars is supposed to have been born on the Kalends, to have grown wondrously between Kalends and Ides, to have fallen then in love with Nerio, to have been fooled as we saw by Anna Perenna, to have been rejected and defeated by his sweetheart, and finally to have won her as his wife on the 19th[172]. Are we to find here a fragment of real Italian mythology, or an elaborate example of the Graecizing anthropomorphic tendencies of the third and second centuries B.C.? The question is a difficult one, and lies rather outside the scope of this work. Those who have read Usener’s brilliant paper will find it hard to shake themselves free of the conviction that he has unearthed a real myth, unless they carefully study the chapter of Aulus Gellius which is its chief foundation. Such a study has brought me back to the conviction that Plautus and the others were writing in terms of the fashionable modes of thought of their day, and were not appealing to popular ideas of the relations of Italian deities to each other[173]. Aulus Gellius begins by quoting a _comprecatio_ from the book of the _Libri sacerdotum populi Romani_. ‘In his scriptum est: Luam Saturni, Salaciam Neptuni, Horam Quirini, Virites Quirini, Maiam Volcani, Heriem Iunonis, Moles Martis Nerienemque Martis.’ A glance at the names thus coupled together is enough to show that Mars is not here thought of as the husband of Neriene; the names Lua, Salacia, &c., seem rather to express some characteristic of the deity with whose name they are joined or some mode of his operation[174]; and Gellius himself, working on an etymology of Nerio which has generally been accepted as correct, explains the name thus: ‘Nerio igitur Martis vis et potentia et maiestas quaedam esse Martis demonstratur.’ In the latter part of his chapter, after quoting Plautus, he says that he has heard the poet blamed by an eminent critic for the strange and false notion that Nerio was the wife of Mars; but he is inclined to think that there was a real tradition to that effect, and cites his namesake the annalist and Licinius Imbrex in support of his view.