The 'Trinummus,' if less amusing than most of the other plays of Plautus, is one of the most unexceptionable in moral tendency; and one at least of the personages in it, Philto, in his union of shrewd sense and old-fashioned severity with a sarcastic humour and real humanity of nature is quite a new type, distinguishable from the hard fathers, the disreputably genial old men, and the mere worthy citizens, who are among the stock characters of the Plautine comedy. There is no play in which the struggle between the stricter morals of an older time and the new temptations is more clearly exhibited: and though vice is finally condoned, or at least visited only with the mild penalty of an unsolicited marriage, the sympathies of the audience are entirely enlisted on the side of virtue. Lesbonicus is a prodigal of the type of Charles Surface, whose folly and extravagance are redeemed by good feeling and a latent sense of honour: and if it is not easy to acquit Lysiteles of a too conscious virtue, one must remember how difficult it always is for a comic dramatist to make the character of a thoroughly respectable young man lively and entertaining. But the whole piece, from the prologue, which indicates the way which all prodigals go, to the end,--the good sense, worth of character, and friendly confidence exhibited in the relations of Megaronides and Callicles,--the honourable love of Lysiteles for the dowerless sister of his friend,--the pious humanity and humility of such sentiments as these in the mouth of Philto-- Di divites sunt, deos decent opulentiae Et factiones: verum nos homunculi Scintillula animae, quam quom extemplo emisimus, Aequo mendicus atque ille opulentissimus Censetur censu ad Acheruntem mortuos[66],-- the denunciation by Megaronides of the 'School for Scandal,' which seems to have flourished in Athens as similar institutions do in our modern cities,--enable us to believe that the citizen life of the Greek communities, after the loss of their independence, may not have been so utterly hollow and disreputable as some of the representations of ancient comedy would lead us to suppose.