The task which awaited Terence was the complete Hellenising of Roman comedy, and the creation of a style which might combine something of Attic flexibility and delicacy with the idiomatic purity of the Latin spoken in the best Roman houses. By birth a Phoenician, by intellectual education a Greek, by the associations of his daily life a foreigner living in Rome, he was more in sympathy with the cosmopolitan mode of thought and feeling which Greek culture was diffusing over the civilised world, than with the traditions of Roman austerity or the homely humours of Italian life. As a dependent and associate of men belonging to the most select society of Rome, he had neither that contact with the many sides of life, nor that familiarity with the animated modes of popular speech, which helped to fashion the style of Plautus: but by assimilating the literary grace of the Athenian comedy and the familiar manner of a high-bred, friendly, and intelligent society, he gave to Latin, what the Greek language in ancient and the French in modern times have had pre-eminently, a style which gives dignity and urbanity to conversation, and freedom and simplicity to literary expression. If the oratorical tastes and training of the Romans make the absence of these last qualities perceptible in much both of their prose and verse, we feel the charm of their presence in the Letters of Cicero, the lighter poems of Catullus, the Epistles of Horace, the Epigrams of Martial: and it was owing to the social and intellectual position of Terence that this secret of combining consummate literary grace with conversational ease and spontaneity was discovered.