The Romance of a Mummy and Egypt: The Works of Theophile Gautier, Volume 5Gautier, Théophile
General
The Romance of a Mummy and Egypt: The Works of Theophile Gautier, Volume 5
Gautier, Théophile
Egypt -- Antiquities -- Fiction; Egypt -- Description and travel
On the outer galleries great clay vases, rubbed inside with bitter
almonds and closed with leaves, resting upon wooden pedestals, cooled
the Nile water in the draughts of air. Tables bore pyramids of fruits,
sheaves of flowers and drinking-cups of different shapes; for the
Egyptians love to eat in the open air, and take their meals, so to
speak, upon the public street. On either side of the main building
stretched others rising to the height of one story only, formed of a row
of pillars engaged half-way up in a wall divided into panels in such a
manner as to form around the house a shelter closed to the sun and the
gaze of the outer world. All these buildings, enlivened by ornamental
paintings,--for the capitals, the shafts, the cornices, and the panels
were coloured,--produced a delightful and superb effect.
The door opened into a vast court surrounded by a quadrilateral portico
supported by pillars, the capitals of which showed on each face a
woman's head, with the ears of a cow, long, narrow eyes, slightly
flattened noses, and a broad smile; each wore a thick red cushion and
supported a cap of hard sandstone. Under the portico opened the doors of
the apartments, into which the light came softened by the shade of the
galleries. In the centre of the court sparkled in the sunshine a pool of
water, edged with a margin of Syene granite. On the surface of the pond
spread the heart-shaped leaves of the lotus, the rose and blue flowers
of which were half closed as if overcome by the heat in spite of the
water in which they were plunged. In the flower-beds around the pool
were planted flowers arranged fanlike upon small hillocks, and along the
narrow walks laid out between the beds walked carefully two tame storks,
which from time to time snapped their bills and fluttered their wings as
if about to take flight. At the angles of the court the twisted trunks
of four huge persaeas exhibited a mass of metallic green foliage. At the
end a sort of pylon broke the portico, and its large bay, framing in
the blue air, showed at the end of a long avenue a summer kiosk of rich
and elegant design. In the compartments traced on the right and on the
left of the arbour by dwarf trees cut into the shape of cones, bloomed
pomegranates, sycamores, tamarinds, periplocas, mimosas, and acacias,
the flowers of which shone like coloured lights on the deep green of the
foliage which overhung the walls.
Public-domain text, read in full here on John Shaqi.
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