The Romance of a Mummy and Egypt: The Works of Theophile Gautier, Volume 5 — John Shaqi
The Romance of a Mummy and Egypt: The Works of Theophile Gautier, Volume 5Gautier, Théophile
General
The Romance of a Mummy and Egypt: The Works of Theophile Gautier, Volume 5
Gautier, Théophile
Egypt -- Antiquities -- Fiction; Egypt -- Description and travel
The faint, sweet music of which we have spoken proceeded from one of the
rooms which opened into the interior portico. Although the sun shone
full into the court, the ground of which blazed in the flood of light, a
blue, cool shadow, transparently intense, filled the apartment, in which
the eye, blinded by the dazzling reverberation, sought to distinguish
shapes and at last made them out when it had become accustomed to the
semi-light. A tender lilac tone overspread the walls of the room, around
which ran a cornice painted in brilliant tones and enriched with small
golden palm-branches. Architectural designs skilfully combined formed on
the plain spaces panels which framed in ornaments, sheaves of flowers,
birds, diapers of contrasted colours, and scenes of domestic life.
At the back, near the wall, stood a strangely shaped bed, representing
an ox wearing ostrich-feathers with a disc between its horns, broadening
its back to receive the sleeper upon a thin red mattress, and stiffening
by way of feet its black legs ending in green hoofs, while its curled-up
tail was divided into two tufts. This quadruped bed, this piece of
animal furniture, would have seemed strange in any other country than
Egypt, where lions and jackals are also turned into beds by the fancy of
the workmen.
In front of the couch was placed a stool with four steps, which gave
access to it: at the head, a pillow of Oriental alabaster, destined to
support the neck without deranging the head-dress, was hollowed out in
the shape of a half moon. In the centre a table of precious wood carved
with exceeding care, stood upon a richly carved pedestal. A number of
objects were placed upon it: a pot of lotus flowers, a mirror of
polished bronze on an ivory stand, a vase of moss agate filled with
antimony powder, a perfume spatula of sycamore wood in the shape of a
woman bare to the waist stretching out as if she were swimming, and
appearing to attempt to hold her box above the water.
Near the table, on an armchair of gilded wood picked out with red, with
blue feet, and with lions for arms, covered with a thick cushion of
purple stuff starred with gold and crossed with black, the end of which
fell over the back, was seated a young woman, or rather, a young girl of
marvellous beauty, in a graceful attitude of nonchalance and melancholy.
Public-domain text, read in full here on John Shaqi.
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