The Romance of a Mummy and Egypt: The Works of Theophile Gautier, Volume 5Gautier, Théophile
General
The Romance of a Mummy and Egypt: The Works of Theophile Gautier, Volume 5
Gautier, Théophile
Egypt -- Antiquities -- Fiction; Egypt -- Description and travel
Her features, of ideal delicacy, were of the purest Egyptian type, and
sculptors must have often thought of her as they carved the images of
Isis and Hathor, even at the risk of breaking the rigorous hieratic
laws. Golden and rosy reflections coloured her warm pallor, in which
showed her long black eyes, made to appear larger by lines of antimony,
and full of a languorous, inexpressible sadness. Those great dark eyes,
with the eyebrows strongly marked and the eyelids coloured, gave a
strange expression to the dainty, almost childish face. The half-parted
lips, somewhat thick, of the colour of a pomegranate flower, showed a
gleam of polished white and preserved the involuntary and almost painful
smile which imparts so sympathetic a charm to the Egyptian face. The
nose, slightly depressed at the root, where the eyebrows melted one into
another in a velvety shadow, rose in such pure lines, such delicate
outlines, and with such well-cut nostrils that any woman or goddess
would have been satisfied with it in spite of its slightly African
profile. The chin was rounded with marvellous elegance and shone like
polished ivory. The cheeks, rather rounder than those of the beauties of
other nations, added to the face an expression of extreme sweetness and
gracefulness.
This lovely girl wore for head-dress a sort of helmet formed of a Guinea
fowl, the half-closed wings of which fell upon her temples, and the
pretty, small head of which came down to the centre of her brow, while
the tail, marked with white spots, spread out on the back of her neck. A
clever combination of enamel imitated to perfection the plumage of the
bird. Ostrich-feathers, planted in the helmet like an aigrette,
completed this head-dress, which was reserved for young virgins, as the
vulture, the symbol of maternity, is worn only by women. The hair of the
young girl, of a brilliant black, plaited into tresses, hung in masses
on either side of her smooth, round cheeks, and fell down to her
shoulders. In the shadowy masses of the hair shone, like suns in a
cloud, great discs of gold worn as earrings. From the head-dress hung
gracefully down the back two long bands of stuff with fringed ends. A
broad pectoral ornament, composed of several rows of enamels, gold and
cornelian beads, and fishes and lizards of stamped gold, covered her
breast from the lower part of the neck to the upper part of the bosom,
which showed pink and white through the thin warp of the calasiris. The
dress, of a large checkered pattern, was fastened under the bosom with a
girdle with long ends, and ended in a broader border of transverse
stripes edged with a fringe. Triple bracelets of lapis-lazuli beads,
divided here and there by golden balls, encircled her slender wrists,
delicate as those of a child; and her lovely, narrow feet with long,
supple toes, were shod with sandals of white kid stamped with designs in
gold, and rested on a cedar stool incrusted with red and green enamel.
Public-domain text, read in full here on John Shaqi.
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