"1st. M. Laroque (Louis-Auguste), octogenarian, present head of the
family, main source of its wealth: an old sailor, famous under the first
empire as a sort of authorized pirate; appears to have enriched himself
by lawful enterprises of various kinds on the sea; has lived in the
colonies for a long while. Born in Brittany, he returned and settled
there about thirty years since, accompanied by the late Pierre-Antoine
Laroque, his only son, husband of
"2d. Mme. Laroque (Joséphine-Clara), daughter-in-law of the
above-mentioned; by origin a Creole; aged forty years; indolent
disposition; romantic temperament; certain whimsies: a beautiful nature.
"3d. Mlle. Laroque (Marguerite-Louise), the grand-daughter, daughter,
and presumptive heiress of the preceding, aged twenty years; Creole and
Bretonne; cherishes certain chimeras; a beautiful nature.
"4th. Mme. Aubry, widow of one Aubry, a stock-broker, who died in
Belgium; a second cousin, lives with the family.
"5th. Mlle. Hélouin (Caroline-Gabrielle), aged twenty-six; formerly
governess, now companion; cultivated intellect; character doubtful.
"Burn this."
In spite of its reticence, this document was of some service to me.
Relieved from the dread of the unknown, I felt that my apprehensions had
partly subsided. And if, as M. Laubépin asserted, there were two fine
characters in the Château Laroque, it was a higher proportion than one
could have expected to find among five inhabitants.
After a drive of two hours the coachman stopped at a gate flanked by two
lodges.
I left my heavy luggage there, and went towards the château, carrying a
valise in one hand, while I used the other to cut off the heads of the
marguerites with my cane. After walking a little distance between rows
of large chestnuts I came to a spacious circular garden, emerging into a
park a little farther on. Right and left I saw deep vistas opening out
between groves already verdant, water flowing under trees, and little
white boats laid up in rustic boat-houses.
Facing me was the château, an imposing building in the elegant
half-Italian style of the early years of Louis XIII. At the foot of the
double perron, and under the lofty windows of the façade stretched a
long terrace, which formed a kind of private garden, approached by
several broad, low steps. The gay and sumptuous aspect of this place
caused me a real disappointment, which was not lessened when, as I drew
nearer to the terrace, I heard the noise of young and laughing voices
rising above the distant tinkle of a piano. Plainly I had come to an
abode of pleasure very different from the old and gloomy donjon of my
imaginings. However, the time for reflection had passed. I went quickly
up the steps, and suddenly found myself in the midst of a scene, which
in any other circumstances I should have thought extremely pretty.
Public-domain text, read in full here on John Shaqi.
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