The Egyptian pictures in the picture-writing are cleverly drawn, and
indicate true artistic perceptions. It must have taken a long time
to reach the pitch of perfection that is shown. So it seems logical
to assume that the hieroglyphics were the outcome of another form
of writing. For years there were no proofs that this was the case,
but it is now definitely established by Professor Flinders Petrie
that crude signs were used in Egypt at a much earlier date than the
picture-writing, and the extraordinary thing is that some of these
signs may be traced in the alphabets of other countries.
An English medical man, Dr. Young, was the first to furnish a clue to
the mystery of the Rosetta Stone. Happening to take a keen interest
in dead languages as well as in living people, he saw among the
hieroglyphics two sets of signs with a line drawn round them, and as
the name of Ptolemy was twice mentioned in the Greek text he reasoned
that these signs stood for the name of the ruler who made the decree.
He reasoned correctly, and we learned in time that a king’s name
was always enclosed in a panel, which is now generally known as a
cartouche.
The deciphering of the king’s name was a happy discovery which
pointed to the general significance of the cartouche in connection
with royal names. But the deciphering of the rest of the
hieroglyphics bristled with difficulties. No one knew whether the
signs stood for sounds, letters, words or things.
Egyptians had painted these puzzling pictures, but there was not a
single man in all Egypt who knew what they meant. The oldest Egyptian
peasant was ignorant on the subject, the most learned Egyptian
scholar had not the faintest idea of their meaning. The Egyptians had
forgotten how to read the writing of their forefathers. It was the
writing of a dead age, of a vanished civilization.
Dr. Young threw himself enthusiastically into the task of
deciphering the signs. The difficulty seemed to add a zest to his
search. He pored over the copy of the writing on the Rosetta Stone
day after day. There was absolutely nothing to guide him. Everything
was sheer deduction at first, and then his deductions had to be
tested and verified.
So difficult was his task that the discovery of a single letter
was an event. Perhaps by great good fortune he would succeed in
deciphering two signs in a week, then for a month he might study the
copy until his brain reeled, and decipher nothing at all. It was a
heart-breaking undertaking. On one occasion he announced that he had
succeeded in translating a certain set of hieroglyphics into a word
of seven or eight letters. It was afterwards proved that he was right
in only one letter, and that the rest were hopelessly wrong.
Public-domain text, read in full here on John Shaqi.
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