He began on his project in 1814 and, after struggling with it for four years, the sum total of his labours amounted to the deciphering of just over ninety characters. His discovery thus averaged fewer than twenty-five signs a year. It meant that he had to concentrate all the power of his exceptional brain, and all his knowledge of languages, for a whole month to decipher two characters. In doing what he did, he accomplished an astounding feat. It is impossible to praise Young too highly for his early work on the Rosetta Stone. At the same time that Young was wrestling with hieroglyphics in England, François Champollion was trying to solve the puzzle in France. Champollion’s interest in hieroglyphics did not spring up in a night; it was of slow growth, starting in his childhood when Egypt bulked large in the imaginations of most French boys owing to the stirring deeds of Napoleon against the Mamelukes. By the time Champollion was eleven years old, he was already taking more than an ordinary boyish interest in things Egyptian, and, as the years passed, he slowly gathered books and material bearing on the subject which he was to make peculiarly his own. He was eager, anxious, to decipher hieroglyphics. It was the ambition of his life, the thing for which he lived, of which he dreamed. He collected every copy of the strange picture-writing that he could find in order to study it, in the hope of deciphering one more character. He was terribly handicapped by the small quantity of material on which he could work, and while his brilliant contemporary Young lay dying in England, in 1829, Champollion was leading an expedition in Egypt, gathering material for France. Champollion found the picture-writing even more complex than any one anticipated. A single letter might be represented by seven or eight quite different signs, and a sign might represent a whole word or part of a word. A circle with lines radiating from it might represent the sun god, or it might stand for the word “day.” A sign which ordinarily stood for a letter might represent a god if a dot or some other sign came after it. The Egyptian hieroglyphics were indeed one of the greatest puzzles of the ages. The discovery of other inscriptions helped to verify Champollion’s work, and provide proof that he was deciphering the signs accurately. It is, nevertheless, incredible that any human being could read even a sign of this dead writing correctly. That any one could do what Champollion ultimately did is almost a miracle. He laboured at his self-appointed task with so much courage and determination that he eventually succeeded in building up a hieroglyphic dictionary—a marvellous feat.