My attic is uncarpeted, and its general aspect is sordid. It contains a bed, a table, a chair, a chest of drawers, a grand piano, a violin, a violoncello, my pipes, my tobacco, my writing materials, and--me. Stay! Hidden for the moment from my glance beneath the grand piano are the tools by which I live: my easel, my porte-couleur, my palette, canvas, and brushes. My estimable uncle round the corner is not a judge of art. It is my weakness that I cannot paint bad pictures. I linger sometimes for a whole day hungry--sometimes even without tobacco--touching and again touching the ripened beauties of my canvas child, before I can dare to leave it. I am a hungry amateur, but that is no reason why I should be false to the principles of art. Like my playing upon four instruments, and like my verses in four languages, my painting is admitted to show great talent--as yet only partially developed. Upon each of my works my estimable uncle advances me the sum of twelve shillings and sixpence. I paint one picture per week. In consideration of the restricted character of my wardrobe, my landlady is so obliging as to send my works to the only dealer with whom I can at present do business. I had never known until this morning who it was that acted as my ambassador. I have told you already that I am of a merry temperament. I snap my fingers at evil fortune. I despise the goddess Circumstance. Seeking to do me an evil turn this morning she has benefited me, and I am contented in spite of her. Good gracious! Is a man to lose everything because his stomach is empty? The goddess Circumstance shall not keep my heart empty, let her keep my shelves as bare as she will. My Lady of Circumstance, Giovanni Calvotti proffers to you a polite but irrevocable defiance! This morning my canvas child was a landscape. This afternoon it was an inglorious smudge. It is now on its way back to the landscape condition, and will have revived all its glories by to-morrow. It was noon when I rang my bell. 'Madame,' I said to my landlady, in my cheerful Italian manner, 'will you again extend to me your courtesy?' My landlady is not an educated woman, but she is a good creature, and has a delicate and refined susceptibility. She recognises in me a gentleman. She reveres in my person a genius to which I make no pretension. I am not a man of genius. A man of genius does one thing supremely well. Some men of exceptional talent do many things admirably, but nothing supremely well. I am a man of exceptional talent. Pardon the modest candour which is compelled to assume the garb of egotism. My landlady looked at my canvas child, and then at me, and laughed. 'To Mr. Aaron's, sir?' Asking this, she put her hands upon the edges of the framework of the canvas. 'Yes, madame,' I answered, for we have always the same formula on Fridays at noon. 'To my estimable uncle round the corner.' 'Anything more than usual?' my landlady asked me.