The Romance Of Giovanni Calvotti: From Coals Of Fire And Other Stories, Volume II. (of III.)Murray, David Christie
General
The Romance Of Giovanni Calvotti: From Coals Of Fire And Other Stories, Volume II. (of III.)
Murray, David Christie
Fiction
'No, madame,' I answered. 'A loaf, a pound of coffee, half a pound of
bird's-eye tobacco, the ticket from my estimable uncle, a receipt for
the week's rent, and the change.'
My landlady laughed again and said, 'Very good, sir.' Then she went
downstairs with the picture, and I felt unhappy when my canvas child was
gone, and was fain (an idiom employed by your best writers) to solace
myself with my violin. So far there was nothing to mark this Friday
morning from any other Friday morning for the last nine weeks. It is now
nine weeks that I have been a hermit. I was very hungry, and was glad to
think of the coffee and the loaf. I should have told you that my habits
are very abstemious, and that I am admirably healthy on a low diet.
My native cheerfulness, my piano, my violin, my violoncello, my canvas
children, and my pipes, all nourish me like meat and wine. I played
upon my violin a little impromptu good-bye to my landscape--a melodious
farewell to a sweet creation. The time seemed long before my landlady
returned, and when I put back my violin in its case, I heard a sound of
crying on the stairs. I opened the door and looked out, and there was
a little English angel, whom I had never before seen, sitting upon the
topmost step, close to my attic door, crying as if her heart had broken.
'What is the matter, my poor little maid?' I asked very tenderly, for I
know that young girls are easily frightened by strangers.
She looked up with eyes like the skies I was born under. The pretty pale
cheeks were all wet, and the pretty red lips were trembling, and those
beautiful blue heavens were raining as no blue skies ought to rain.
'Ah, come, my child,' I said to her; 'how can I help you if you do not
tell me what is the matter?'
'Oh, signor,' she said, with many sobs and tears, 'I have spoiled your
beautiful picture.'
She held it up--my canvas child--all besmeared with mud. I could
not resist one exclamation of sorrow. The news was too sudden for my
self-possession to remain. But when I saw that the little English angel
began to weep afresh at this exclamation, I longed for one moment to
be able to get out of my own body, that I might chastise a poltroon so
un-philosophical. I took her by the hand instead, and led her into this
room and made her sit down, and, whilst I sponged the picture with cold
water, made her tell me how the accident had happened. For I thought,
in my Machiavellian Italian way, 'If she should go away without having
quite familiarised herself with this unhappy incident, she will always
be afraid of me.' Therefore I lured her on.
'Mrs. Hopkins asked me to take the picture to Mr. Aaron's,' she began,
still sobbing. 'I was just passing the corner when a gentleman leaped
out of a cab. The cab was moving at the time, and I did not expect to
see anybody jump from it. The gentleman missed his footing and stumbled
against me. I fell down and the picture fell face downwards on the
pavement, and a man who was passing by trod upon it.'
Public-domain text, read in full here on John Shaqi.
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