The Romance of Madame Tussaud'sTussaud, John Theodore
History
The Romance of Madame Tussaud's
Tussaud, John Theodore
Madame Tussaud and Sons' Exhibition; Tussaud, Marie, 1761-1850; Waxworks
From this day onward I may claim to have acted as something more than a
mere spectator of that long procession of models wrought by my father’s
diligent hands. Each one necessitated the making of some small sketch,
some characteristic study, that has helped to swell as strange a
collection of memorials as ever existed of men and events of bygone days.
It is amid these surroundings that I now sit to begin the writing of
these chapters; and a strangely engrossing retrospect they reveal. Five
generations of my family have contributed towards them, and now, on a
modelling stool by my side, there stands the promising work of a son who
will, I trust, one day follow me to carry on the work.
During the quietude of those hours that succeed the labours of the day,
and when the last studio hand has closed the door behind him, I take the
opportunity of penning this brief history. Often in the moving shadows of
the twilight or in the flickering flame of a falling ember I fancy I see
life and movement in the faces that gaze down upon me, quickened, as it
were, to respond to the memories their features evoke.
But for me, at least, there is little that is disquieting in their
scrutiny. For the most part they are old familiars, and a long
acquaintance has set us wonderfully at our ease.
As the eye passes from the semblance of one celebrity to that of another,
how vividly they carry one’s thoughts back through King Edward’s reign,
the long years Queen Victoria sat upon the throne, the days of William
IV, the reign and regency of “The First Gentleman of Europe,” and far
back into the days of good “Farmer George”!
Even though set among the strong and characteristic features of the
leading men of these memorable reigns, the striking countenance of
Napoleon can be discerned without hesitation, and his familiar features
force me in imagination to undergo the ordeal of crossing the Channel to
retrace the course this narrative takes and discover my ancestress under
the domination of the First Consul, then pushing in hot haste his fortune
at the point of the bayonet, and fast traversing the hazardous road
leading to the throne of France.
Somehow we do not find this long and curious retrospect illumined by
any very strong ray of human happiness. Even the overshadowing head
and shoulders of the great Napoleon do not conceal from our vision the
dismal heads of the revolutionists; indeed, if they had been hidden from
our sight, could these ghoulish impressions ever be effaced from our
memory? And so, behind Bonaparte, one’s eyes sight the sinister heads
of Robespierre, Fouquier-Tinville, Carrier, Hébert--merciless creatures
who gambled with the lives of their fellow men for high positions, and
multiplied these awful human stakes that they might hold themselves
secure.
Public-domain text, read in full here on John Shaqi.
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