The Romance of Wills and TestamentsVine Hall, Edgar
History
The Romance of Wills and Testaments
Vine Hall, Edgar
Wills -- Great Britain -- Miscellanea
Another story, scarcely less remarkable in its own way, is revealed
by Edmund Gosse, in “Father and Son,” of an action set in motion by a
son who was grievously wronged by one of the “saints”—the sect among
whom Mr. Gosse’s father held an honourable place. This member of the
community had persuaded a rich man, well on in years, to board with
him, and when he died a will was produced leaving his entire fortune to
the “saint” with whom he lodged. Yet the old man had a son surviving.
In time the son came home from overseas, and the universal legatee
of the will was arrested. The trial disclosed that the old man had
been “converted” by the “saint,” and had disinherited his son as an
“unbeliever.” The “saint” had traced the signature to the will by
drawing the testator’s fingers over the document, when he was already
comatose. To the last the “saint” declared his belief that he had
done no wrong, that it was righteous to wrest the money to pious and
charitable uses. _Tantum religio potuit suadere malorum._
FOOTNOTES:
[1] The “Dictionary of National Biography” says: “Born December 23,
1621, probably at Sellinge, Kent.”
CHAPTER II
WILLS NOT FULFILLED
“Fallax saepe fides, testataque vota peribunt;
Constitues tumulum, si sapis, ipse tuum.”
ANCIENT EPITAPH.
It is impossible for a will to be always and in all events binding. If
Virgil’s will had been scrupulously observed, his fame would have been
grievously curtailed; for the “Æneid” should never have been published.
It is said that he gave directions for its burning, and that his
executors, Varius and Tucca, received his manuscripts on condition that
they published nothing he had not edited himself.
“For Poetry is nothing if not perfect,” and the three years which he
was to devote to its polish and perfecting were not granted in his
allotted span. But Augustus, and Virgil’s executors, were wiser than
he himself, though the touch of the vanished hand could not mould its
beauty to perfection. It was unfinished: but only as Turner’s “Canal at
Chichester,” or Schubert’s “Symphony,” are unfinished.
There are such occasions: but it is easy to understand with what desire
the testator desires his wishes to be fulfilled. His will, he feels,
should be inviolable. “Finally,” says George Ludewig Count von der
Schulenburg in 1774, “as I hope that this my disposition and last will
will be strictly and inviolably observed by my dear children, provided
they do not mean to merit my paternal displeasure and the wrath and
punishment of the supreme Being, so on the other hand I heartily wish
them every fatherly blessing and the grace of the Almighty, and do
earnestly recommend them to His omniscient guidance.”
Public-domain text, read in full here on John Shaqi.
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