The Romantic Adventures of a Milkmaid — John Shaqi
The Romantic Adventures of a MilkmaidHardy, Thomas
General
The Romantic Adventures of a Milkmaid
Hardy, Thomas
Women agricultural laborers -- Fiction
Margery’s father, having privately ascertained that she was living with
her grandmother, and getting into no harm, refrained from communicating
with her, in the hope of seeing her contrite at his door. It had, of
course, become known about Silverthorn that at the last moment Margery
refused to wed Hayward, by absenting herself from the house. Jim was
pitied, yet not pitied much, for it was said that he ought not to have
been so eager for a woman who had shown no anxiety for him.
And where was Jim himself? It must not be supposed that that tactician
had all this while withdrawn from mortal eye to tear his hair in silent
indignation and despair. He had, in truth, merely retired up the
lonesome defile between the downs to his smouldering kiln, and the
ancient ramparts above it; and there, after his first hours of natural
discomposure, he quietly waited for overtures from the possibly repentant
Margery. But no overtures arrived, and then he meditated anew on the
absorbing problem of her skittishness, and how to set about another
campaign for her conquest, notwithstanding his late disastrous failure.
Why had he failed? To what was her strange conduct owing? That was the
thing which puzzled him.
He had made no advance in solving the riddle when, one morning, a
stranger appeared on the down above him, looking as if he had lost his
way. The man had a good deal of black hair below his felt hat, and
carried under his arm a case containing a musical instrument. Descending
to where Jim stood, he asked if there were not a short cut across that
way to Tivworthy, where a fête was to be held.
‘Well, yes, there is,’ said Jim. ‘But ’tis an enormous distance for
’ee.’
‘Oh, yes,’ replied the musician. ‘I wish to intercept the carrier on the
highway.’
The nearest way was precisely in the direction of Rook’s Gate, where
Margery, as Jim knew, was staying. Having some time to spare, Jim was
strongly impelled to make a kind act to the lost musician a pretext for
taking observations in that neighbourhood, and telling his acquaintance
that he was going the same way, he started without further ado.
They skirted the long length of meads, and in due time arrived at the
back of Rook’s Gate, where the path joined the high road. A hedge
divided the public way from the cottage garden. Jim drew up at this
point and said, ‘Your road is straight on: I turn back here.’
But the musician was standing fixed, as if in great perplexity.
Thrusting his hand into his forest of black hair, he murmured, ‘Surely it
is the same—surely!’
Jim, following the direction of his neighbour’s eyes, found them to be
fixed on a figure till that moment hidden from himself—Margery Tucker—who
was crossing the garden to an opposite gate with a little cheese in her
arms, her head thrown back, and her face quite exposed.
‘What of her?’ said Jim.
Public-domain text, read in full here on John Shaqi.
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