"As he went to the door I sat on in my chair; circumstances somehow
waived aside common politeness. I just stared after him--to meet his
eyes, for from the door he turned round just to say:--
"'I did not mean to jeer at your honesty in keeping your promise to
madame--please never think that. On the contrary, I sincerely admire
you--and congratulate you! For you have avoided a marvellous misery....
Good-night, Sir Lancelot. Adieu!'"
The Italian's exit seemed to bring Noël Anson's tale to an end, and yet
so abruptly that I could not but wait for a final ending. He waited,
but threw the end of his cigarette into the dying fire, and continued
silent.
"And so you never saw her again, and lived unhappily ever after?" I
suggested at last. But I wasn't prepared for his quick, pitying stare.
He heaved himself up from his chair.
"You damn fool!" he said. "Didn't I tell you all through dinner that I
was divorced six months ago!"
"But your promise--you told him--"
"The first thing I did when I left that house," he explained firmly,
"was to look round at the number on that door...."
II: FAY RICHMOND
II: FAY RICHMOND
THE influenza epidemic of the winter of 1918-19 will for me always
be memorable for a strange coincidence, which could in no way have
happened but for that plague's overwhelming rush; and together with
that I remember vividly the grieved face of a homely matron, as
she spoke to me that January afternoon on the hushed stairway of a
nursing-home in Beaumont Street. It was, I suppose, one of those unreal
incidents which are so essentially part of that life which realism
likes to depict, that a realist may often fail to translate them into
his tale (after that very old man, blind to the thing under his nose),
whereas a romanticist will, perhaps, with a debonair gesture, give them
their true part in the histories of his creatures.
Thus, this tale, sown however dismally, takes to itself the air of
a romance; not mine indeed, nor Howard Wentworth's, the well-known
playwright whom it intimately concerns, but Fay Richmond's. I call her
by that name even though it was lost, in the way that women must lose
the most apt and adequate names (as only names can be), on her Italian
marriage some twenty years before Howard told me about her. He was
curiously infatuated with it; I remember him repeating it, delicately,
and pronouncing it a beautiful name, not unworthy of the meditation of
Mr. George Moore by his fireside in Ebury Street.
"No, it was too fitting a name to last," he said. "A girl with such a
name couldn't but die or get married young.... Can you imagine an aged
spinster called Fay Richmond? It could only be the name of a lovely
girl, but it could never live much more than twenty years except in a
novel by, well, Disraeli or Meredith; unlikely enough shades, you'll
say, the bedizened and the tortuous, to be joined together even in
sentimental discourse about a girl's name, with whom I've already bored
you sufficiently...."
Public-domain text, read in full here on John Shaqi.
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