Her heart had quietened down while she rested under the wall. Pulling
out a long stalk of grass, she twined it round her fingers absently. The
veil of cloud had thickened over her head, early dusk had descended upon
the earth, and she had not found out what had become of Réal. She jumped
to her feet wildly. But directly she had done that she felt the need of
self-control. It was with her usual light step that she approached the
front of the house and for the first time in her life perceived how
barren and sombre it looked when Réal was not about. She slipped in
quietly through the door of the main building and ran upstairs. It was
dark on the landing. She passed by the door leading into the room
occupied by her aunt and herself. It had been her father and mother’s
bedroom. The other big room was the lieutenant’s during his visits to
Escampobar. Without even a rustle of her dress, like a shadow, she
glided along the passage, turned the handle without noise and went in.
After shutting the door behind her she listened. There was no sound in
the house. Scevola was either already down in the yard or still lying
open-eyed on his tumbled pallet in raging sulks about something. She had
once accidentally caught him at it, down on his face, one eye and cheek
of which were buried in the pillow, the other eye glaring savagely, and
had been scared away by a thick mutter: “Keep off. Don’t approach me.”
And all this had meant nothing to her then.
Having ascertained that the inside of the house was as still as the
grave, Arlette walked across to the window, which, when the lieutenant
was occupying the room, stood always open and with the shutter pushed
right back against the wall. It was, of course, uncurtained, and as she
came near to it Arlette caught sight of Peyrol coming down the hill on
his return from the lookout. His white head gleamed like silver against
the slope of the ground and by and by passed out of her sight, while her
ear caught the sound of his footsteps below the window. They passed into
the house, but she did not hear him come upstairs. He had gone into the
kitchen. To Catherine. They would talk about her and Eugène. But what
would they say? She was so new to life that everything appeared
dangerous: talk, attitudes, glances. She felt frightened at the mere
idea of silence between those two. It was possible. Suppose they didn’t
say anything to each other. That would be awful.
Public-domain text, read in full here on John Shaqi.
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