To mention Irving is to suggest a comparison actually more fruitful than that which some thousands of pens have recently made between Burroughs and Thoreau. The bland old man whose beard was latterly as well known in these States as that of Bryant in its day, had hardly anything in common, except an affectionate concern for external nature, with the dry, hard, vivid Yankee who acted out his anarchistic principles on the shores of Walden Pond and fiercely proclaimed the duty of civil disobedience to all men who might find the world travelling along false paths. Burroughs had in him too much of the milk of American kindness to thrive in a comparison with an authentic genius like Thoreau, who might not be half the naturalist that Burroughs was but was twice the poet and a dozen times the pungent critic of human life. Nor, in another direction, does Burroughs appear to much advantage by comparison with Whitman, who had a cosmic reach and a prophetic lift and thrust that never visited Slabsides. Rather, for all Burroughs employed a modern idiom and took to the country instead of staying snugly in town, he points back to the earlier tradition of smoothness and urbane kindness and level optimism which Irving practised. Did Burroughs not but a few weeks before his death take a mild exception to the “naked realism” of Howells? In that phrase a very old school speaks. Perhaps we shall in the long run remember best that Burroughs annually made one of an odd triumvirate of campers which included besides him Thomas A. Edison and Henry Ford. Let us, for the sake of seeing the group in its true perspective, call Mr. Ford the village blacksmith who happens to have the fortunate touch of Midas; let us call Mr. Edison the village inventor who happens to have the touch of a mechanical Merlin; let us call Burroughs the village naturalist who to his native instincts adds the winning gift of language and makes himself heard, as his friends do by their machines, outside the village. BROAD HOUSE AND NARROW HOUSE