The Rush for the Spoil (La Curée): A Realistic Novel — John Shaqi
The Rush for the Spoil (La Curée): A Realistic NovelZola, Émile
General
The Rush for the Spoil (La Curée): A Realistic Novel
Zola, Émile
Paris (France) -- Social life and customs -- Fiction
Renée started. She had not felt the chilly air which was freezing her
shoulders. As she passed before her looking-glass, she stopped and
glanced at herself mechanically. With an involuntary smile she went
down.
And, indeed, most of the guests had arrived. There were her sister
Christine, a young lady of twenty, very simply dressed in white muslin;
her aunt Élisabeth, the widow of the notary Aubertot, in black satin, a
little old woman of sixty, of most exquisite amiability; her husband's
sister, Sidonie Rougon, a gentle, scraggy woman, of no particular
age, with a face like soft wax, and whose dull-coloured dress effaced
still further; then the Mareuils, the father, Monsieur de Mareuil,
who had just gone out of mourning for his wife, a tall handsome man,
empty-headed and serious, bearing a striking resemblance to the valet
Baptiste; and the daughter, that poor Louise as people called her, a
young girl of seventeen, puny and slightly hump-backed, who wore with a
sickly grace a soft white silk dress with red spots; then quite a group
of serious men, gentlemen wearing many decorations, official personages
with pale and solemn faces; and, farther off, another group, young
men with an air of vice about them, and wearing low cut waistcoats,
surrounding five or six ladies of the greatest elegance, amongst whom
throned the inseparables, the little Marchioness d'Espanet, in yellow,
and the fair Madame Haffner, in violet. Monsieur de Mussy, the cavalier
whose bow Renée had ignored, was also there, with the uneasy look of
a lover expecting to receive his dismissal. And, in the midst of the
long trains spread out over the carpet, two contractors, masons who had
made their fortunes, named Mignon and Charrier, with whom Saccard had
some business to settle on the morrow, were moving heavily about on
their big feet, holding their hands behind their backs and feeling most
uncomfortable in their dress suits.
Standing near the door, Aristide Saccard managed to greet each new
arrival, whilst holding forth to the group of serious men with all his
southern animation and snuffling. He shook the guest's hand and spoke
a few amiable words. Short, and pitiful-looking, he bobbed up and down
like a puppet; and of all his puny, dark and crafty person, the most
prominent object was the red bow of his ribbon of the Legion of Honour
which he wore very large.
Public-domain text, read in full here on John Shaqi.
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