The Rush for the Spoil (La Curée): A Realistic NovelZola, Émile
General
The Rush for the Spoil (La Curée): A Realistic Novel
Zola, Émile
Paris (France) -- Social life and customs -- Fiction
When Renée entered, there rose a murmur of admiration. She was truly
divine. Over a lower skirt of tulle, trimmed behind with a mass of
flounces, she wore a tunic of pale green satin, edged with a broad
border of English lace, and gathered up and fastened by large bunches
of violets; a single flounce adorned the front of the skirt over which
was a light muslin drapery kept in its place by more bunches of violets
joined together by garlands of ivy. The gracefulness of the head and
bust were adorable, above this skirt of royal amplitude and slightly
overdone richness. Uncovered at the neck as low as the breast, her
arms bare with tufts of violets on her shoulders, the young woman
seemed to be emerging all naked from her sheath of tulle and satin,
similar to one of those nymphs whose busts issue from the sacred oaks;
and her white neck, her supple frame, appeared so delighted with this
semi-freedom, that one expected at every moment to see the bodice and
the skirts slip down like the costume of a bather in love with her
flesh. Her tall head-dress, her fine yellow hair gathered up in the
form of a helmet, and amidst which twined a sprig of ivy held in its
place by a bunch of violets, increased still more her air of nudity
by displaying the nape of her neck, slightly shaded by little downy
hairs resembling threads of gold. Round her neck she wore a diamond
necklace with pendants of the first water, and on her brow an aigrette
formed of stems of silver set with the same precious stones. And she
stood thus for a few seconds on the threshold of the room, erect in
this magnificent costume, her shoulders shining in the warm glow. As
she had come down quickly she was rather out of breath. Her eyes, which
the darkness of the Parc Monceaux had filled with shadow, blinked
in that sudden flood of light, and gave her that hesitating air of
short-sighted people, which with her was full of gracefulness.
On perceiving her, the little marchioness rose hastily from her seat,
and running up to her, seized hold of her hands; whilst examining her
from her head down to her feet she murmured in a fluty tone of voice:
"Ah! pretty darling, pretty darling."
Then there was considerable commotion, all the guests came to pay
their respects to the beautiful Madame Saccard, as Renée was called
in society. She shook hands with nearly all the men. After which she
embraced Christine, and inquired after her father who never visited the
mansion in the Parc Monceaux. And she remained standing, smiling and
still bowing, with her arms held indolently open, before the circle of
ladies who were examining with curious eyes the diamond necklace and
aigrette.
Fair Madame Haffner could not resist the temptation; she drew nearer,
and after looking a long while at the jewels, said in a jealous tone of
voice:
"They are the necklace and the aigrette, are they not?"
Public-domain text, read in full here on John Shaqi.
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