The Rush for the Spoil (La Curée): A Realistic Novel — John Shaqi
The Rush for the Spoil (La Curée): A Realistic NovelZola, Émile
General
The Rush for the Spoil (La Curée): A Realistic Novel
Zola, Émile
Paris (France) -- Social life and customs -- Fiction
Renée nodded her head affirmatively. Then all the women gave vent to
their praise; the jewels were enchanting, divine; then they began to
speak, with an admiration full of envy, of Laure d'Aurigny's sale at
which Saccard had bought them for his wife; they complained that those
frail creatures always secured the best things, there would soon be no
diamonds at all for virtuous women. And out of their complaints pierced
the desire to feel on their bare skin one of those jewels which all
Paris had beheld on the shoulders of some illustrious courtesan, and
which would perhaps whisper in their ear the alcove scandals on which
the thoughts of these grand ladies loved to linger. They knew the high
prices realised, they quoted a superb cashmere, some magnificent lace.
The aigrette had cost fifteen thousand francs, the necklace fifty
thousand. Madame d'Espanet was quite enthusiastic about these figures.
She called Saccard, exclaiming:
"Come and be congratulated! You are a good husband!"
Aristide Saccard went up to the ladies, bowed and did the modest. But
his grimacing features betrayed a great delight. And out of the corner
of his eye he watched the two contractors, the two masons who had
made their fortunes, who were standing a few paces off listening with
visible respect to the mention of such sums as fifteen thousand and
fifty thousand francs.
At this moment, Maxime, who had just entered the room, looking adorable
in his well-cut dress-coat, leant familiarly on his father's shoulder,
and spoke to him in a low tone, as though to a comrade, calling his
attention to the masons with a glance. Saccard smiled discreetly like
an applauded actor.
A few more guests arrived. There were quite thirty persons in the
drawing-room. The conversations were resumed; during the pauses, one
could hear, on the other side of the wall, a jingling of crockery and
plate. At length Baptiste opened the folding doors, and majestically
uttered the sacramental phrase: "Madame is served."
Then, the procession slowly formed. Saccard gave his arm to the little
marchioness; Renée took an old gentleman's, a senator, Baron Gouraud,
before whom everyone bowed down with great humility; as for Maxime,
he was obliged to offer his arm to Louise de Mareuil; then followed
the rest of the guests, in couples, and right at the end the two
contractors swinging their arms.
The dining-room was a vast square apartment with a high dado all round
of stained and varnished pear-tree ornamented with thin fillets of
gold. The four large panels had probably been intended to be filled
with paintings of inanimate objects; but they had remained empty,
the owner of the mansion having no doubt hesitated before a purely
artistical outlay. They had simply been covered over with dark green
velvet. The furniture, the curtains and the door-hangings of the same
material, gave to the room a grave and sober appearance calculated to
concentrate on the table all the splendour of the illumination.
Public-domain text, read in full here on John Shaqi.
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