The Rush for the Spoil (La Curée): A Realistic NovelZola, Émile
General
The Rush for the Spoil (La Curée): A Realistic Novel
Zola, Émile
Paris (France) -- Social life and customs -- Fiction
And beneath the arches placed here and there between the beds, and
held by wire chains, hung baskets filled with Orchids, those bizarre
plants of the air, which spread in all directions their stunted and
knotted shoots bent and twisted like crippled limbs. There were
Lady's-slippers, the flowers of which resemble a marvellous shoe
adorned on the heel with the wings of a dragon-fly; Ærides with their
delicate perfume; and Stanhopeas, the pale streaked flowers of which,
like the bitter mouth of some convalescent, exhale to a distance a
strong and acrid breath.
But that which, from every point of view, was the most conspicuous
object, was a great Hibiscus from China, its immense expanse of
flowers and foliage covering the whole side of the mansion to which
the conservatory was fixed. The large purple flowers of this gigantic
mallow are ever being renewed, and live but a few hours. One could
almost fancy them a woman's sensual, opening mouths, the red soft moist
lips of some giant Messalina, bruised by kisses and yet ever reviving
with their eager and bleeding smile.
[Illustration: RENÉE WATCHING MAXIME AND LOUISE IN THE LITTLE DRAWING
ROOM.]
Renée stood near the tank, and shivered in the midst of all these
superb blossoms. Behind her, a great black marble sphinx, squatting
on a block of granite, its head turned towards the water, wore on its
features the wary and cruel smile of a cat; and it looked like the dark
Idol with shining thighs of that land of fire. At this hour ground
glass globes cast a milky light over the surrounding foliage. Statues,
women's heads with the necks thrown back, and swelling with mirth,
stood out white from the recesses of the groups of shrubs, with patches
of shadow which contorted their mad laughter. Strange rays played about
the deep still water of the tank, lighting up vague forms and glaucous
masses resembling rough designs of monsters. Over the smooth leaves of
the Ravenala, on the glossy fans of the Latanias, streamed a flood of
white light; whilst from the lace-work of the ferns fell a gentle rain
of sparks. Up above shone the reflections from the glass roof amongst
the sombre heads of the tall palms. Then, all around, everything was
wrapt in shadow; the arbours, with their drapery of tropical creepers,
became lost in the darkness, like the nests of slumbering reptiles.
And Renée stood musing in the bright light, as she watched Louise
and Maxime in the distance. It was no longer the floating fancies,
the vague temptation of twilight, in the chilly avenues of the Bois.
Her thoughts were no longer lulled and sent to sleep by the trot
of her horses along the fashionable walks, and the glades in which
middle-class families pic-nic on a Sunday. Now it was a definite, a
keen desire which filled her whole being.
Public-domain text, read in full here on John Shaqi.
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