The Rush for the Spoil (La Curée): A Realistic NovelZola, Émile
General
The Rush for the Spoil (La Curée): A Realistic Novel
Zola, Émile
Paris (France) -- Social life and customs -- Fiction
An immense love, a need of voluptuousness, floated about this close
nave, full of the ardent sap of the tropics. The young woman was
enveloped in these mighty bridals of the earth, engendering around her
this dark verdure, these colossal stems; and the acrid confinement of
this candent mother, this forest-like growth, this mass of vegetation
all glowing with the entrails which nourished it, surrounded her with
perturbing effluvia of most intoxicating power. At her feet, the tank,
the mass of warm water, thickened by the juices of the floating
roots, steamed and wrapt her shoulders in a mantle of heavy vapour,
a mist which heated her skin like the contact of a hand moist with
voluptuousness. On her head she felt a breath from the palms as the
tall leaves sprinkled their aroma. And more than the close warmth
of the atmosphere, than the bright lights, than the large dazzling
flowers resembling faces laughing or grimacing amongst the foliage, the
odours especially overpowered her. An undefinable perfume, powerful
and exciting, hung about, composed of a thousand others: human
perspiration, women's breaths, the scent of hair; and zephyrs sweet and
insipid almost to faintness, were blended with coarse and pestilential
smells loaded with poison. But amidst this strange amalgamation of
odours, the one which dominated all, stifling the delicateness of
the vanilla and the sharpness of the orchids, was that penetrating,
sensual, human odour, that odour of love which escapes of a morning
from the closed chamber of a young married couple.
Renée had slowly leant against the granite pedestal. In her green
satin dress, with her face and shoulders of a rosy hue and sparkling
with the pure scintillations of her diamonds, she resembled some
great pink and green flower, one of the Nymphæa of the tank, swooning
from the heat. At this hour of clear vision, all her good resolutions
vanished for ever, the intoxication of the dinner regained possession
of her faculties, imperious, triumphant, and rendered mightier than
before by the flames of the conservatory. She no longer remembered
the chill night air which had calmed her, nor those murmuring shadows
of the park, the voices of which had counselled a happy peacefulness.
Her ardent woman's senses, her satiated woman's capriciousness, were
aroused. And, above her, the great black marble sphinx laughed a
mysterious laugh, as though it had read the at length expressed desired
which was galvanizing this dead heart, the desire which had remained so
long elusive, the "something else" so vainly sought by Renée amidst the
oscillating motion of her carriage, in the ashy gloom of the gathering
night, and which had been so abruptly revealed to her beneath the
glaring light of this garden of fire by the sight of Louise and Maxime,
laughing and playing together, hand in hand.
At this moment a sound of voices issued from a neighbouring arbour,
where Aristide Saccard had led the Messieurs Mignon and Charrier.
Public-domain text, read in full here on John Shaqi.
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