"My grandmother spoilt me to an incredible degree and never denied me
anything I wanted. In spite of this I was a gentle and well-behaved
child, and only indulged in passing fits of peevishness--as indeed I
still do when disturbed at one of my favourite occupations. One of my
chief amusements was to lie flat on the floor and draw churches and
trees with a bit of chalk. I was piously inclined, and church
ceremonies, especially at the great festivals, filled me heart and soul
with the liveliest poetic enthusiasm. Having learnt to read at a
remarkably early age, I often moved my grandmother and her elderly
friends to tears by reading the Scriptures aloud to them. My musical
proclivities showed themselves at that time in a perfect passion for the
sound of bells; I drank in these harsh sounds, and soon learnt how to
imitate them rather cleverly by means of two copper bowls. When I was
ill they used to give me a little hand-bell to keep me amused.
"On the death of my grandmother, my way of living underwent some
changes. My mother spoilt me rather less, and tried to accustom me to
the fresh air; but her efforts in this direction were not very
successful.... My musical sense still remained undeveloped and crude. In
my eighth year (1812), when we were delivered from the French invasion,
I listened with all my old delight to the ringing of the bells,
distinguishing the peals of the different churches, and imitating them
on my copper bowls.
"Being entirely surrounded by women, and having for playmates only my
sister, who was a year younger than myself, and my nurse's little
daughter, I was never like other boys of my age; moreover the passion
for study, especially of geography and drawing--and in the latter I had
begun to make sensible progress--drew me away from childish pastimes,
and I was, from the first, of a quiet and gentle disposition.
"At my father's house we often received many relatives and guests; this
was usually the case on his name-day, or when someone came to stay whom
he wished to entertain with special honours. On these occasions he would
send for the musicians belonging to my maternal uncle, who lived eight
versts away. They often remained with us for several days, and when the
dances were over and the guests departed, they used to play all sorts of
pieces. I remember once (it was in 1814, or 1815, when I was about ten)
they played a quartet by Cruselli; this music produced in me an
inconceivably new and rapturous effect; after hearing it I remained all
day long in a state of feverish excitement, lost in inexplicably sweet
dreamy emotions, and the next day at my drawing lesson I was quite
absent-minded. My distracted condition increased as the lesson
proceeded, and my teacher, remarking that I was drawing very carelessly,
scolded me repeatedly, until finally guessing what was the matter with
me, said that I now thought of nothing but music. 'What's to be done?' I
answered: 'music is the soul of me!'
Public-domain text, read in full here on John Shaqi.
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