The sacred dance : $b A study in comparative folkloreOesterley, W. O. E. (William Oscar Emil)
Religion
The sacred dance : $b A study in comparative folklore
Oesterley, W. O. E. (William Oscar Emil)
Dance -- Religious aspects -- History
At the same time, we are not blind to the drawbacks involved. For in some
important instances the Old Testament is silent. We give reasons which
we believe are sufficient to explain this silence. But when a particular
type of the sacred dance is not mentioned in the Old Testament it must
not be supposed that it did not exist; indirect evidence is forthcoming
which makes it highly probable that the reverse is the case. For this
reason we shall often refer to post-biblical Jewish custom and practice.
Such a thing as the sacred dance is not likely, from the very nature of
things, to have been an innovation of later ages; so that its existence
in post-biblical times may well be regarded as the continuance of
traditional custom; and if so, its existence among the Israelites of Old
Testament times may be taken for granted.
Still, we realize the precariousness of seeming, in some cases, to build
upon an apparently non-existing foundation; but the risk must be taken,
and, as we hope to show, the evidence from subsequent times justifies the
risk.
IV
A few words must be said about the sources from which information
regarding the sacred dance is to be gained.
(1) There are a certain number of ancient inscriptions of various kinds
upon which dancing is represented. On these the dancing is not always
of a religious character; but it is not difficult to discern when it
is religious and when secular. For example, there is a very valuable
fragment of an Egyptian fresco belonging to the 18th dynasty (B.C.
1600-1450) in the British Museum[15], on which two nude women dancers
are depicted; the dancing is accompanied by other women, some clapping
their hands, and others playing the flute. But another part of the fresco
shows clearly enough that the scene represents a banquet during which
professional dancing is being performed for the entertainment of the
guests. Though it is secular dancing that we have here the inscription
is important from the present point of view, because the dancing, which
is so graphically depicted, does not differ greatly from that shown on
other Egyptian inscriptions, where it is unmistakably sacred. Egyptian
inscriptions are those which offer most material here; one or two Hittite
and Assyrian inscriptions are also available, and will be described
later; but otherwise there is but little to be obtained from this source.
Public-domain text, read in full here on John Shaqi.
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