The sacred dance : $b A study in comparative folkloreOesterley, W. O. E. (William Oscar Emil)
Religion
The sacred dance : $b A study in comparative folklore
Oesterley, W. O. E. (William Oscar Emil)
Dance -- Religious aspects -- History
(2) Very prolific, on the other hand, is the second source, in the main,
Greek. There are large numbers of vessels of different kinds—vases,
bowls, cups, dishes, flasks, jugs, bottles, jars, pitchers, etc., on
which dancing is depicted[16]; many of these represent secular dancing;
some give dances of a quasi-religious kind, _e.g._ the dances of
satyrs; but most of them depict religious dances, sometimes of gods and
goddesses, at others of worshippers dancing in their honour; a very
favourite subject is the dancing of Maenads. Belonging to this source are
a variety of other kinds of vessels on which sacred dancing is depicted;
sometimes the vessel itself is in the form of a sacred dance. Excavations
in Cyprus have yielded some interesting material to which more detailed
reference will be made below. Some coins have also been found which throw
light on the subject. This source is, above all, valuable for showing us
the kind of dances in vogue among the ancient Greeks, and bears out the
truth of the remark that “the Greek dances may be divided and subdivided
_ad infinitum_[17].”
(3) Our third source also offers abundance of material, viz. ancient
literature; this source includes Egyptian literature (the Book of the
Dead); the Old Testament and post-biblical Jewish literature; ancient
Arabic literature; some of the ancient Church writers; and, above all,
Greek and Latin classical authors, quotations from whom would alone fill
a small volume.
(4) Lastly, there is modern literature. This must be divided into two
classes. The first is a small and very unsatisfactory class: treatises
which deal specifically with dancing. We have found this class of
literature unsatisfactory for two reasons; first, because there is,
comparatively, so little information of a tangible character to be gained
from it; and, secondly, because no references are given to authorities,
even when cited. Nevertheless, it is only fair to the respective authors
to say that they are mainly concerned with modern dancing. As Crawley
says, “there are no treatises written on any scientifically comprehensive
lines[18].” With one exception, moreover, we have found the articles on
the subject in all the well-known English and German Bible Dictionaries
of extraordinarily little help. The exception is Hastings’ _ERE_; here
articles by Crawley, Farnell and Blackman have been of real help, and the
writer gratefully acknowledges his indebtedness to them.
As to the other class of modern literature, it can only be described as
limitless; we refer to the vast number of volumes dealing with uncultured
races. To mention even a tithe of those which have been used would be out
of the question; references to a good many will be found in the following
pages. But it is impossible for the present writer not to say how much he
owes to the works of Sir J. G. Frazer; without their stimulus these pages
would never have been written.
Public-domain text, read in full here on John Shaqi.
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