That the sacred dance originated in prehistoric times goes without saying; but this means that no _proofs_ can be adduced in support of any theory as to its origin; it must be a question of probabilities; perhaps only of possibilities. What is, however, certain is that since the sacred dance originated at a time when man was in a very primitive stage of culture, what first induced him to perform it must have been something very _naïve_ and childlike. That, presumably, everyone would agree with. Now, there is no sort of doubt that one of the most ingrained characteristics of human nature is the imitative propensity. This is more pronounced in the child than in the grown man; and what holds good of the individual applies also to the race; the more uncultured man is, the more does he, mentally, approximate to the child; so that the further back we go in the history of the race, the more pronounced and childlike will be that imitative propensity. As Crawley has reminded us[19], Aristotle maintained that dancing is imitative; and in all its forms it is an artistic imitation of physical movement expressive of emotions or ideas. Rightly or wrongly, then, we believe that the sacred dance owes its origin to this imitative propensity in man. Now, in the animistic stage what first suggested the presence of life in anything was movement. The cause of the movement was neither understood nor enquired into. A tree, swayed by the wind, moved; therefore it was alive. But it would not strike a more or less primitive savage that it was the wind which caused the movement. What he would instinctively have recognized was that here was something which he did not understand; and therefore there was a mystery about it which inspired awe. So, too, with streams, and rivers, and the sea; they were alive because they had motion. In course of time this would be modified in so far that the belief arose that the tree or stream contained life because of an indwelling spirit which caused the movement, thus indicating its presence; but even so, it would have been difficult for the savage to draw a distinction between the two at first. Whether the same course of savage “reasoning” will apply in regard to the sun, moon, and, later, to the stars, in the earlier stages of the period when he first began to take “reasoning” note of his surroundings, is doubtful; for it is probable that he looked around and downwards before he looked upwards. At any rate, sooner or later he would have realized that they too moved, and that therefore they were alive, either themselves, or animated by something, more probably by somebody. Thus motion, movement, which, on the analogy of man himself, was believed to denote life, was the first thing which the savage mind connected with supernatural powers[20].