The sacred dance : $b A study in comparative folkloreOesterley, W. O. E. (William Oscar Emil)
Religion
The sacred dance : $b A study in comparative folklore
Oesterley, W. O. E. (William Oscar Emil)
Dance -- Religious aspects -- History
The material contained in this source would fill a number of volumes; we
have restricted ourselves to a certain number of more or less typical
illustrations chosen from a great mass.
* * * * *
More than a hundred and fifty years ago de Cahusac wrote in the Preface
to his _Historical Treatise on Dancing_: “J’ai traité assez sérieusement
un sujet qu’on ne regardera peut-être que comme très-futile.” The present
writer hopes and believes that his effort will not be regarded as
“très-futile”; for we in these days have come to realize more fully than
was possible in the eighteenth century the significance of the well-known
words of Terence:
_Homo sum; humani nihil a me alienum puto._
CHAPTER II
THE ORIGIN AND PURPOSES OF THE SACRED DANCE
I
In his thoughtful and very suggestive volume, _The Threshold of
Religion_, Marett makes the assumption that
an inductive study of the ideas and customs of savagery will
show, firstly, that an awareness of a fundamental aspect of
life and of the world, which aspect I shall provisionally term
“supernatural,” is so general as to be typical, and, secondly,
that such an awareness is no less generally bound up with a
specific group of vital reactions (p. 124).
Every student of such ideas and customs must know how thoroughly
justified this assumption is. In studying the particular custom, and
the ideas connected with it, with which we are here concerned, we find
that this “awareness of the supernatural,” together with the “vital
reactions,” are, at any rate in the earlier stages of its history,
invariably present. That much, at all events, we have to go upon in
seeking a theory as to the origin of the sacred dance. To account for its
origin is, however, difficult; that is fully realized; and the present
writer would desire to lay stress on the fact that as in seeking such
origin he is largely in the domain of speculation and theory, nothing
is further from his mind than to be dogmatic. The whole subject of the
sacred dance has been so little dealt with excepting as a mere rite, that
one is to a great extent on new ground; one must, therefore, be quite
prepared to be convicted of fallacies.
Public-domain text, read in full here on John Shaqi.
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