The sacred dance : $b A study in comparative folkloreOesterley, W. O. E. (William Oscar Emil)
Religion
The sacred dance : $b A study in comparative folklore
Oesterley, W. O. E. (William Oscar Emil)
Dance -- Religious aspects -- History
[71] Its home was Sparta; it was introduced into Athens in the sixth
century B.C. in the time of Pisistratus; ultimately it became a mere war
game.
[72] See A. Mommsen, _Feste der Stadt Athen_, pp. 98 ff. (1898), where
details will be found; an interesting account of the great procession
is given on pp. 131 ff.; see also the same author’s _Heortologie_, pp.
116-205 (1864).
[73] Cp. Gruppe, _Griechische Mythologie_, I. 165, 167, II. 1198 f., etc.
(1906).
[74] Hesiod, _Theog._ 259; Thucydides, IV. 3; Livy, XXVI. 9; Virgil,
_Aeneid_ VIII. 285; Plutarch, _Thes._ 21 (_EB_, I. 998); and see
especially Emmanuel, _La Danse Grecque antique_, pp. 285 ff. (1896).
[75] On the whole subject of the worship of Dionysos see Foucart, _Le
culte de Dionysos en Attique_ (1906). For the dances in connexion with
his worship see below, pp. 121 ff.
[76] Quoted by Andrew Lang, _Myth, Ritual and Religion_, I. 272 (1901).
See also de la Saussaye, _op. cit._ II. 246.
[77] _The Cults of the Greek States_, II. 472 (1909).
[78] See the first line in the quotation from the _Iliad_ on p. 70.
[79] These details are from Sittl, _Archäologie der Kunst_, pp. 378 f.
(1895), where much further information will be found.
[80] Ohnefalsch-Richter, _op. cit._ vol. II., No. cxxvii. 2.
[81] _Ibid._ No. cxxviii. 3.
[82] Cat. E, 695
[83] Such as Müller und Wieseler, _Denkmäler der alten Kunst_, see _e.g._
I. plate XLIV (1854 ...); Jane E. Harrison, _Prolegomena to the Study of
Greek Religion_ (1903), who gives a number of illustrations.
[84] These were sometimes of a lascivious character.
[85] _Op. cit._ II. 472; see also p. 463.
[86] III. x. 7 (Frazer’s ed.). See further, the interesting notes in
Hitzig et Bluemner’s _Pausaniae Graeciae Descriptio_, I. 766 (1896).
[87] III. p. 320; see also Hitzig et Bluemner, _in loc._; Farnell, _op.
cit._ II. 472.
[88] IV. xvi. 9. It recalls the episode of the maidens of Shiloh dancing
in honour of Jahwe, Judg. xxi. 19 ff.
[89] Cp. Emmanuel, _La Danse Grecque antique_ (1896); for illustrations
see Müller und Wieseler, _op. cit._ II. 17188 ff.
[90] Ramsay, in the _Journal of Hellenic Studies_, IV. 36 (1883).
[91] Cp. Reinach, _Orpheus_, p. 123 (1909): “Les jeunes filles
athéniennes, qui célèbrent le culte de l’Artémis-ourse, s’habillent en
ourses et se disent des ourses.”
[92] _Op. cit._ II. 436 f.; see further Gruppe, _op. cit._ II. 1284,
1293; Lobeck, _Aglaophamus_, 1086 (1829); Bekker, _Anecdota Graeca_,
I. 445 (1814-21); Lübker, _Real-Lex. des Klassischen Altertums_, s.v.
Artemis (1914); Hesychius, s.v. Βραυρωνίοις; Mommsen, _Feste der Stadt
Athen_, pp. 456 ff.; _Heortologie_, pp. 406 ff.; and see also Pausan. I.
xxiii. 7. Cp. the custom among the Azimba of east-central Africa, when
maidens attain puberty they celebrate the occasion by a dance in which
only women take part: see Hartland in _Anthropological Essays presented
to E. B. Tylor_, p. 197 (1907).
[93] III. xi. 7.
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