The Sacred Wood: Essays on Poetry and Criticism — John Shaqi
The Sacred Wood: Essays on Poetry and CriticismEliot, T. S. (Thomas Stearns)
General
The Sacred Wood: Essays on Poetry and Criticism
Eliot, T. S. (Thomas Stearns)
Criticism; Literature
In the longest and most important essay in the _Contemporaries of
Shakespeare_, the essay on Chapman, there are many such sentences of
sound judgment forcibly expressed. The essay is the best we have on that
great poet. It communicates the sense of dignity and mass which we
receive from Chapman. But it also illustrates Swinburne’s infirmities.
Swinburne was not tormented by the restless desire to penetrate to the
heart and marrow of a poet, any more than he was tormented by the desire
to render the finest shades of difference and resemblance between
several poets. Chapman is a difficult author, as Swinburne says; he is
far more difficult than Jonson, to whom he bears only a superficial
likeness. He is difficult beyond his obscurity. He is difficult partly
through his possession of a quality comparatively deficient in Jonson,
but which was nevertheless a quality of the age. It is strange that
Swinburne should have hinted at a similarity to Jonson and not mentioned
a far more striking affinity of Chapman’s—that is, Donne. The man who
wrote
Guise, O my lord, how shall I cast from me
The bands and coverts hindering me from thee?
The garment or the cover of the mind
The humane soul is; of the soul, the spirit
The proper robe is; of the spirit, the blood;
And of the blood, the body is the shroud:
and
Nothing is made of nought, of all things made,
Their abstract being a dream but of a shade,
is unquestionably kin to Donne. The quality in question is not peculiar
to Donne and Chapman. In common with the greatest—Marlowe, Webster,
Tourneur, and Shakespeare—they had a quality of sensuous thought, or of
thinking through the senses, or of the senses thinking, of which the
exact formula remains to be defined. If you look for it in Shelley or
Beddoes, both of whom in very different ways recaptured something of the
Elizabethan inspiration, you will not find it, though you may find other
qualities instead. There is a trace of it only in Keats, and, derived
from a different source, in Rossetti. You will not find it in the _Duke
of Gandia_. Swinburne’s essay would have been all the better if he had
applied himself to the solution of problems like this.
Public-domain text, read in full here on John Shaqi.
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