The Sanskrit drama : $b in its origin, development, theory and practiceKeith, Arthur Berriedale
History
The Sanskrit drama : $b in its origin, development, theory and practice
Keith, Arthur Berriedale
Sanskrit drama -- History and criticism
The style of the play is clear and not lacking either in force or
dignity: dismayed by the dream of Bhānumatī Duryodhana comforts
himself. [442] An̄giras says:
grahāṇāṁ caritaṁ svapno nimittāny upayācitam
phalanti kākatālīyaṁ tebhyaḥ prajñā na bibhyati.
‘The movements of the planets, dreams, omens, oblations, bear fruit by
accident; therefore wise men fear them not.’ Graceful is his address to
Bhānumatī if out of place: [443]
kuru ghanoru padāni çanaiḥ çanair: api vimuñca gatiṁ parivepinīm
patasi bāhulatopanibandhanam: mama nipīḍaya gāḍham uraḥsthalam.
‘O firm-limbed one, make slow thy steps; stay thy trembling gait; thou
dost fall into the shelter of my arms; clasp me closely in thine
embrace.’ But any display of tenderness is abnormal in Duryodhana; he
rebukes his aged mother when she urges him to save his life by coming
to terms with the enemy: [444]
mātaḥ kim apy asadṛçaṁ vikṛtaṁ vacas te: sukṣatriyā kva bhavatī kva
ca dīnataiṣā
nirvatsale sutaçatasya vipattim etām: tvaṁ nānucintayasi rakṣasi
mām ayogyam.
‘O mother, strange and unseemly is thy bidding. Ill accord thy noble
birth and this faintness of spirit. Shame on thee, without natural
affection, in that thou dost forget the cruel fate of thy hundred sons
in seeking to save my life.’ In vain is Dhṛtarāṣṭra’s manly appeal to
him: [445]
dāyādā na yayor balena gaṇitās tau Droṇabhīṣmau hatau
Karṇasyātmajam agrataḥ çamayato bhītaṁ jagat Phālgunāt
vatsānāṁ nidhanena me tvayi ripuḥ çesapratijño ’dhunā
krodhaṁ vairiṣu muñca vatsa pitarāv andhāv imau pālaya.
‘Slain are Droṇa and Bhīṣma whose peers none were deemed in might; all
shrank in terror before Arjuna as he slew Karṇa’s son before his eyes;
my dear ones slain, the foe’s whole aim is against thee now; lay aside
thine anger with thy foes, and guard these thy blind parents.’
Admirably expressed is Bhīma’s wild fury when he disdains Yudhiṣṭhira’s
effort to secure peace: [446]
mathnāmi Kauravaçataṁ samare na kopād: Duḥçāsanasya rudhiraṁ na
pibāmy urastaḥ
saṁcūrṇayāmi gadayā na Suyodhanoru: sandhiṁ karotu bhavatāṁ nṛpatiḥ
paṇena.
‘Shall I not in anger crush the hundred Kauravas in battle; shall I not
drink the blood from Duḥçāsana’s breast; shall I not break with my club
the thighs of Duryodhana, although your master buy peace at a price?’
Admirable also is his description of the sacrifice of battle: [447]
catvāro vayam ṛtvijaḥ sa bhagavān karmopadeṣṭā hariḥ
saṁgrāmādhvaradīkṣito narapatiḥ patnī gṛhītavratā
Kauravyāḥ paçavaḥ priyāparibhavakleçopaçāntiḥ phalam
rājanyopanimantraṇāya rasati sphītaṁ yaçodundubhiḥ.
Public-domain text, read in full here on John Shaqi.
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