another--Ulswater--which you might imagine to be a river too, and to
have come flowing from afar; the one excelling in isles, and bays,
and promontories, serene and gentle all, and perfectly beautiful; the
other, matchless in its majesty of cliff and mountain, and in its old
forests, among whose hoary gloom is for ever breaking out the green
light of young generations, and perpetual renovation triumphing over
perpetual decay. Of the other lakes--not river-like--the character
may be imagined even from that we have faintly described of the
mountains; almost every vale has its lake, or a series of lakes; and
though some of them have at times a stern aspect, and have scenes
to show almost of desolation, descending sheer to the water’s edge,
or overhanging the depth that looks profounder in the gloom, yet
even these, to eyes and hearts familiar with their spirit, wear a
sweet smile which seldom passes away. Witness Wastwater, with its
huge single mountains, and hugest of all the mountains of England,
Scawfell, with its terrific precipices--which, in the accidents of
storm, gloom, or mist, has seemed, to the lonely passer-by, savage
in the extreme--a howling or dreary wilderness--but in its enduring
character, is surrounded with all quiet pastoral imagery, the deep
glen in which it is embedded being, in good truth, the abode of
Sabbath peace. That hugest mountain is indeed the centre from which
all the vales irregularly diverge; the whole circumjacent region may
be traversed in a week; and though no other district of equal extent
contains such variety of the sublime and beautiful, yet the beautiful
is so prevalent that we feel its presence, even in places where it is
overpowered; and on leaving “The Lakes,” our imagination is haunted
and possessed with images, not of dread, but of delight.
Public-domain text, read in full here on John Shaqi.
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