Another evidence of the charm of outdoor installation is seen in Miss Scudder's Fountain of the Fighting Boys, so beautifully placed, with the waters in actual play, in the Peristyle Walk about the Fine Arts Palace. The original of this little fountain is owned by the Art Institute of Chicago. There can be no doubt that this fight is without rancor; the faces of the cherubic contestants are so gay and good-natured that only the determined little tug of the hair, the business-like pressure of chubby knee upon knee, the uncertain possession of the big fish that is the cause of contention, makes us see that a battle is raging. The boys fight merrily, evidently enjoying both the contest and the downpour of water that complicates it. An unexpected accidental beauty has been added to this and all the Exposition fountains. Some colorful substance in the water that plays upon them has given soft touches of the same rich ochre tone that appears in the columns. This increases the effectiveness and takes away the appearance of boldness or newness, substituting a weather-beaten and permanent aspect. When long spires of flowers are in bloom and reflect their beauty in this little fountain pool, the gayety and loveliness of the spot are entrancing. Duck Baby Garden Exhibit, Colonnade The contagious mirth of "The Duck Baby," a garden figure by Edith Barretto Parsons, is irresistible. This plump little image of good cheer conquers the most serious; every observer breaks into answering chuckles as this smile-compelling small person, holding fast her victims, beams upon them. The frieze of busy ducklings on the pedestal base adds to the amusing impression. This figure makes such a universal appeal that thousands of postal card pictures and amateur photographs by exposition visitors have been sent in a steady stream throughout the land, scattering the Duck Baby's good cheer far and wide ever since the Exposition opened. In the presence of so much that is weighty and powerful, this popularity of the "Duck Baby" is significant and touching indication of the world's hunger for what is cheerful and mirth provoking. Another well-liked and winsome work with a chubby baby figure at its center is "The Bird Bath" by Caroline Risque, in which a lovable baby, with an expression of the tenderest sympathy, holds a little bird to his breast. Muse Finding the Head of Orpheus Garden Exhibit, Colonnade