Under the branches of a low tree the poetic group by Edward Berge, "Muse Finding the Head of Orpheus," a white marble group of superior elegance and texture, arrests the passerby. A Muse kneels, drooping in exquisite pathos over the head of Orpheus found in the waves. The sculptor has chosen the tragic side of the Orphean myth. The son of Apollo and the Muse Calliope, whose heaven-taught lyre charmed men and beasts, melted rocks and even opened the gates of Erebus, had failed to win from death his bride, Eurydice, lost to him for the second time. As he wandered disconsolate, the Thracian bacchantes wooed him in vain. Maddened by failure and by their bacchanal revels, they called upon Bacchus to avenge, and hurled a javelin upon him. But the music charmed the weapon, until the wild women drowned it with their cries. Then they dismembered the singer and threw him to the waves; but the very fragments were melodious and reached the Muses, who buried them where the nightingale still sings "Eurydice." So runs the allegory; even drowned by earthly clamors, slain and torn by wanton hands, the song of Poetry continues, the weeping Muses save. Diana Garden Exhibit, South Lagoon In a setting of surpassing appropriateness and beauty, installed high amid the tall shrubbery as if emerging from the edge of one of her own forests, the huntress Diana points the arrow she is about to let fly. This rendering by Haig Patigian, who made the heroic Powers and other decorations on Machinery Hall, is simple, classic, pure, imaginative, poetic in purpose and in effect. He has softened the traditional coldness of the goddess by a warmer humanity without injuring the sense of proud aloofness. The Maiden goddess of the Hunt bears in her hand the crescent bow, its lines here strongly suggestive of those of the young moon, of which it is the symbol and this goddess the deity. Mr. Patigian exhibits in the Colonnade a companion piece, "Apollo, the Sun God," twin brother of Diana. A vivid figure of manly grace, Apollo is presented in the guise of the sun of the morning. He kneels and shoots an arrow upward; the long, pleasing curve of his bow suggests the outline of the sun above the horizon as Apollo releases his first bright shaft of light. Eurydice Garden Exhibit, Colonnade