The song of the sirens was in her voice; my cousin would not look at her
face. "I know nothing of any other dreams," he said. "One has oneself
and this life, and that is enough to manage. What other dreams can there
be? Anyhow, we are in the dream--we have to accept it. Besides, you
know, that's going off the question. We were talking of Chatteris, and
why you have come for him. Why should you come, why should any one
outside come--into this world?"
"Because we are permitted to come--we immortals. And why, if we choose
to do so, and taste this life that passes and continues, as rain that
falls to the ground, why should we not do it? Why should we abstain?"
"And Chatteris?"
"If he pleases me."
He roused himself to a Titanic effort against an oppression that was
coming over him. He tried to get the thing down to a definite small
case, an incident, an affair of considerations. "But look here, you
know," he said. "What precisely do you mean to do if you get him? You
don't seriously intend to keep up the game to that extent. You don't
mean--positively, in our terrestrial fashion, you know--to marry him?"
The Sea Lady laughed at his recovery of the practical tone. "Well, why
not?" she asked.
"And go about in a bath chair, and-- No, that's not it. What _is_ it?"
He looked up into her eyes, and it was like looking into deep water.
Down in that deep there stirred impalpable things. She smiled at him.
"No!" she said, "I sha'n't marry him and go about in a bath chair. And
grow old as all earthly women must. (It's the dust, I think, and the
dryness of the air, and the way you begin and end.) You burn too fast,
you flare and sink and die. This life of yours!--the illnesses and the
growing old! When the skin wears shabby, and the light is out of the
hair, and the teeth-- Not even for love would I face it. No.... But
then you know--" Her voice sank to a low whisper. "_There are better
dreams._"
"What dreams?" rebelled Melville. "What do you mean? What are you? What
do you mean by coming into this life--you who pretend to be a woman--and
whispering, whispering ... to us who are in it, to us who have no
escape."
"But there is an escape," said the Sea Lady.
"How?"
"For some there is an escape. When the whole life rushes to a moment--"
And then she stopped. Now there is clearly no sense in this sentence to
my mind, even from a lady of an essentially imaginary sort, who comes
out of the sea. How can a whole life rush to a moment? But whatever it
was she really did say, there is no doubt she left it half unsaid.
He glanced up at her abrupt pause, and she was looking at the house.
* * * * *
"Do ... ris! Do ... ris! Are you there?" It was Mrs. Bunting's voice
floating athwart the lawn, the voice of the ascendant present, of
invincibly sensible things. The world grew real again to Melville. He
seemed to wake up, to start back from some delusive trance that crept
upon him.
Public-domain text, read in full here on John Shaqi.
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