You know Mrs. Bunting, and you can imagine what she tactfully hinted.
Just at that time, what with her own girls and the Glendower girls, her
imagination was positively inflamed for matrimony; she was a matrimonial
fanatic; she would have married anybody to anything just for the fun of
doing it, and the idea of pairing off poor Melville to this mysterious
immortal with a scaly tail seems to have appeared to her the most
natural thing in the world.
_Apropos_ of nothing whatever I fancy she remarked, "Your opportunity is
now, Mr. Melville."
"My opportunity!" cried Melville, trying madly not to understand in the
face of her pink resolution.
"You've a monopoly now," she cried. "But when we go back to London with
her there will be ever so many people running after her."
I fancy Melville said something about carrying the thing too far. He
doesn't remember what he did say. I don't think he even knew at the
time.
However, he fled back to London in August, and was there so miserably at
loose ends that he had not the will to get out of the place. On this
passage in the story he does not dwell, and such verisimilitude as may
be, must be supplied by my imagination. I imagine him in his charmingly
appointed flat,--a flat that is light without being trivial, and
artistic with no want of dignity or sincerity,--finding a loss of
interest in his books, a loss of beauty in the silver he (not too
vehemently) collects. I imagine him wandering into that dainty little
bed-room of his and around into the dressing-room, and there, rapt in a
blank contemplation of the seven-and-twenty pairs of trousers (all
creasing neatly in their proper stretchers) that are necessary to his
conception of a wise and happy man. For every occasion he has learnt, in
a natural easy progress to knowledge, the exquisitely appropriate pair
of trousers, the permissible upper garment, the becoming gesture and
word. He was a man who had mastered his world. And then, you know, the
whisper:--
"_There are better dreams._"
"What dreams?" I imagine him asking, with a defensive note. Whatever
transparence the world might have had, whatever suggestion of something
beyond there, in the sea garden at Sandgate, I fancy that in Melville's
apartments in London it was indisputably opaque.
And "Damn it!" he cried, "if these dreams are for Chatteris, why should
she tell me? Suppose I had the chance of them-- Whatever they are----"
He reflected, with a terrible sincerity in the nature of his will.
"No!" And then again, "No!
"And if one mustn't have 'em, why should one know about 'em and be
worried by them? If she comes to do mischief, why shouldn't she do
mischief without making me an accomplice?"
He walks up and down and stops at last and stares out of his window on
the jaded summer traffic going Haymarket way.
Public-domain text, read in full here on John Shaqi.
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